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Of course, I never wrote the "important" story, the sequel about the first amplified human. Once I tried something similar. John Campbell's letter of rejection began: "Sorry — you can't write this story. Neither can anyone else."
--
to Vernor Vinge, after Vinge proposed writing a story about the first human with hyper-amplified intelligence. (From Vinge's comments on "Bookworm, Run!" in The Collected Stories of Vernor Vinge.)

 

John W. Campbell

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You see a guy with one leg, he's got a story. "Land mine '69." You see a guy with one arm, he's got a story, too. "Snow blower, bottle of whiskey." You see a guy with one tooth, what would the story be? "Well, uh, I like a lot of taffy."

 

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So little was there of the propagandist in him that he never seemed much interested in the fate of his work. He once wrote me a remarkable letter of advice in which he expressed succinctly his idea of a writer's duty to himself: "Write what you want to write, as well as you can, and then forget it." ... But he wrote that little "as well as he could," and that was well indeed; so well that while there are still a few who love freedom, wisdom, excellence of thought and style, those few will be his readers. And they are the only readers he would want.

 

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One of the most terrifying aspects of publishing stories and books is the realization that they are going to be read, and read by strangers. I had never fully realized this before, although I had of course in my imagination dwelt lovingly upon the thought of the millions and millions of people who were going to be uplifted and enriched and delighted by the stories I wrote. It had simply never occurred to me that these the millions and millions of people might be so far from being uplifted that they would sit down and write me letters I was downright scared to open; of the three-hundred-odd letters that I received that summer I can count only thirteen that spoke kindly to me, and they were mostly from friends. Even my mother scolded me: "Dad and I did not care at all for your story in The New Yorker," she wrote sternly; "it does seem, dear, that this gloomy kind of story is what all you young people think about these days. Why don't you write something to cheer people up?"

 

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John asked what he could do to help my campaign for governor.
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"Oh, they [the Media] definitely don't want to know the real Barrett story... there are no facts involved in the Barrett story so they can make up any story they like, and they do. There's a vague basis in fact: Syd was in the band and he did write the material on the first album, 80% of it, but that's all. It is only that one album, and that's what people don't realise. That first album, and one track on the second. That's all; nothing else."

 

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