Friday, November 22, 2024 Text is available under the CC BY-SA 3.0 licence.

Jesus Christ

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I am an historian, I am not a believer, but I must confess as a historian that this penniless preacher from Nazareth is irrevocably the very center of history. Jesus Christ is easily the most dominant figure in all history.
--
H.G. Wells, British author (1866–1946) (from:).

 
Jesus Christ

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ADVICE TO PERSONS ABOUT TO WRITE HISTORY — DON’T
In the Moral Sciences Prejudice is Dishonesty.
A Historian has to fight against temptations special to his mode of life, temptations from Country, Class, Church, College, Party, Authority of talents, solicitation of friends.
The most respectable of these influences are the most dangerous.
The historian who neglects to root them out is exactly like a juror who votes according to his personal likes or dislikes.
In judging men and things Ethics go before Dogma, Politics or Nationality. The Ethics of History cannot be denominational.
Judge not according to the orthodox standard of a system religious, philosophical, political, but according as things promote, or fail to promote the delicacy, integrity, and authority of Conscience.
Put conscience above both system and success.
History provides neither compensation for suffering nor penalties for wrong.

 
John (Lord Acton) Acton
 

The new attitude of the critic toward the artist has been rationalized for me by a leading European art historian who is also an influential critic of current art. It is based on a theory of division of labor in making art history. The historian, he contends, knows art history and, in fact, creates it; the artist knows only how to do things. Left to himself, the artist is almost certain to do the wrong thing — to deviate from the line of art history and thus to plunge into oblivion. The critic's role is to steer him in the proper direction and advise changes in his technique and subject matter that will coordinate his efforts with the forces of development. Better still, critics should formulate historically valid projects for artists to carry out. That not all critics have the same expectations of the future of art does not, I realize, weaken the cogency of my colleague's argument. The surviving artist would be one who has been lucky enough to pick the winning critic. My own view that art should be left to artists seemed to my mentor both out-of-date and irresponsible.

 
Harold Rosenberg
 

The little book has become a classic in the literature of Western history. Simple, direct, and unpretentious in style, our author's narrative presents all that may reasonably be expected in relation to the status of the New Mexican provinces, and of the Santa Fé trade before the closing of the Mexican custom houses in 1841... The work... judiciously mingles history, description, and narrative in such proportions that the interest is retained throughout. As an historian Gregg is exceptionally accurate... He gave the first connected narrative in English, of the history of New Mexico from its first explorations in the sixteenth century to his own time. All later histories of that region must depend largely upon his researches. ...Gregg is pre-eminently the historian of the Santa Fé trade that...employed many of the most daring spirits of the frontier and paved the way for the possession of these regions by the United States. ...The incidents and excitements of this journey across the plains Gregg narrates with a fidelity and vividness that make the reader a participant. ...As a contribution to the history and development of the far Southwest, Gregg's Commerce of the Prairies stands without a rival and is indispensable to a full knowledge of the American past.

 
Josiah Gregg
 

You're a historian. Tell me if there are any bath-tubs in history. I think they've been frightfully neglected.

 
F. Scott Fitzgerald
 

What would become of history, had we not a dependence on the veracity of the historian, according to the experience, what we have had of mankind?

 
David Hume
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