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Two men wrote a lexicon, Liddell and Scott;
Some parts were clever, but some parts were not.
Hear, all ye learned, and read me this riddle,
How the wrong part wrote Scott, and the right part wrote Liddell.
--
Anon. on Liddell and Scott's Greek lexicon

 

Henry George Liddell

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Scott was questioning his sister. Sometimes he did it in English. More often he had resource to gibberish and sign language. Emma tried to reply, but the handicap was too great.
Finally Scott got pencil and paper. Emma liked that. Tongue in cheek, she laboriously wrote a message. Scott took the paper, examined it, and scowled.
"That isn't right, Emma," he said.
Emma nodded vigorously. She seized the pencil again and made more scrawls. Scott puzzled for a while, finally smiled rather hesitantly, and got up. He vanished into the hall. Emma returned to the abacus. Paradine rose and glanced down at the paper, with some mad thought that Emma might abruptly have mastered calligraphy. But she hadn't. The paper was covered with meaningless scrawls, of a type familiar to any parent. Paradine pursed his lips.
It might be a graph showing the mental variations of a manic-depressive cockroach, but probably wasn't. Still, it no doubt had meaning to Emma. Perhaps the scribble represented Mr. Bear.
Scott returned, looking pleased. He met Emma's gaze and nodded.

 

Lewis Padgett

 

Some songs I wrote that night, and some songs took nine months to arrange, get how I positioned them. Some songs I wrote parts of when I was twelve, thirteen, fourteen, fifteen… Just putting it together, just finding the right place for it. So it's really been a long time coming. ... I'm actually really restless, in the sense that I'd rather be always making something new. I'm really excited about making a second record. I've got a lot of things up my sleeve, I guess.

 

St. (musician) Vincent

 

Some songs I wrote that night, and some songs took nine months to arrange, get how I positioned them. Some songs I wrote parts of when I was twelve, thirteen, fourteen, fifteen… Just putting it together, just finding the right place for it. So it's really been a long time coming. ... I'm actually really restless, in the sense that I'd rather be always making something new. I'm really excited about making a second record. I've got a lot of things up my sleeve, I guess.

 

Annie Clark

 

Herman Melville is a god. … I cherish what he did. He was a genius. Wrote Moby-Dick. Wrote Pierre. Wrote The Confidence-Man, wrote Billy Budd. … Oh, yes — look at him. … Scares the bejesus out of people and makes them hate him. Because he's so good. Claggart has him killed in that book. Claggart has his eye on that boy. He will not tolerate such goodness, such blondeness, such blue eye. Goodness is scary. It's like you want to knock it. You want to hit it.

 

Herman Melville

 

Herman Melville is a god. … I cherish what he did. He was a genius. Wrote Moby-Dick. Wrote Pierre. Wrote The Confidence-Man, wrote Billy Budd. … Oh, yes. Look at him. … Scares the bejesus out of people and makes them hate him. Because he's so good. Claggart has him killed in that book. Claggart has his eye on that boy. He will not tolerant such goodness, such blondeness, such blue eye. Goodness is scary. It's like you want to knock it. You want to hit it. Are we a country of beating down things? We love seeing people go down.

 

Maurice Sendak