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Interviewer: How do you view the fears of the creation of a "Shiite Crescent"?

 

Hashemi Rafsanjani

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Just imagine, he says, the policies that such an Iraq would be likely to pursue: "The Shiite population in the south, where most of Iraq's oil is, would have a predominant influence. They would prefer friendly relations with Shiite Iran." He wrote those words in January 2006. A year and a half later, the United States tolerates a sovereign, more or less democratic Iraq whose Shiite government is friendly toward Iran. If Bush is pursuing imperialism in Baghdad, it is of a very curious sort.

 

Noam Chomsky

 

Mike Nichols: Interviewer: Are you going to the afterparty? Nichols: I don't know, is there another party, after the party? Interviewer: Yeah. After your dinner. Nichols: I didn't know that. I don't think I'm invited. Interviewer: Do you listen to M.I.A.? Nichols: Yes! [at MoMA "Party in the Garden" 2008]

 

M.I.A.

 

From our vantage, materialism is not a neutral, value-free, minimalist position from which to pursue inquiry. Rather, it is itself an ideology with an agenda. What’s more, it requires an evolutionary creation story to keep it afloat. On scientific grounds, we regard that creation story to be false. What’s more, we regard the ideological agenda that has flowed from it to be destructive to rational discourse. Our concerns are therefore entirely parallel to the evolutionists’. Indeed, all the evolutionists’ worst fears about what the world would be like if we succeed have, in our view, already been realized through the success of materialism and evolution. Hence, as a strategy for unseating materialism and evolution, the term "Wedge" has come to denote an intellectual and cultural movement that many find congenial.

 

William A. Dembski

 

In my use of the camera, I work to make images that go beyond, and even undermine, the conventions of "point of view." Such images transcend the limitation that would seem to be inherent in the photographic mechanism (or "point-of-view machine"). They allow the viewer to see and feel the "room"—or the world, or reality—as it is, beyond the ego’s self-reference. And such images thereby become a non-verbal means of "picturing" the essential human process of ego-transcendence—going beyond the fixed "point of view" of the ego, or the core presumption of separateness

 

Adi Da

 

What is this thing, "imagination?" A muscle that can be "forced" or "stretched"? Or something immune to the ethos of ganbaru [grit it out, or strive for one's best]? Like the relativist's view of light, it is both wave and particle, depending on what you want it to be. The verb "to imagine" is both active and passive, as in "Steve imagined his future," and "Such a future was never imagined." So, I work on my novel by imagining the world of 18th-century Nagasaki and its people and their fears and desires, as an act of will, and a lot of will is involved, believe me. However, I could ganbaru until I'm blue in the face. If my imagination doesn't work "passively" or even "intransitively," at its own behest rather than mine, and come up with cliche-demolishing twists of phrase and turns of plot and happy accidents and unexpected reactions from characters, then the book will be sterile. Well-written with luck, and even intelligent, but sterile. (...) Imagination is what makes art fertile.

 

David Mitchell