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Disco was brand new then and there were a few jocks that had monstrous sound systems but they wouldn't dare play this kind of music. They would never play a record where only two minutes of the song was all it was worth. They wouldn't buy those types of records. The type of mixing that was out then was blending from one record to the next or waiting for the record to go off and wait for the jock to put the needle back on.
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Quoted in Rap Attack 2 (1991) by David Toop, p. 62 ISBN 1852422432

 

Grandmaster Flash

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I think I gave indications early on that mine wasn't just going to be a commercial, er, career. If that were the case, then the first record would have been 10 versions of 'Loser.' I always thought it would be interesting if there was no such thing as gold and platinum records, or record deals, and people were just making music. What would the music sound like?

 

Beck

 

I was recording with The Polyphonic Spree, recording The Fragile Army, and we were holed up in January in Minnesota at our studio. They called Mike in to play, and we just hit it off, in a really, really special way. Actually, the night after meeting and having a conversation with him, I sat down and I wrote "All My Stars Aligned". And I just kind of had an idea, "Wouldn't it be amazing if Mike Garson played? So the guy who played solo in Aladdin Sane, wouldn't it be amazing if this guy played this song?"
And I wrote it, based on a conversation we had, but I didn't want to ask him, because I felt shy, and nervous, and everything. It was a few months later, actually, we kind of got in touch, and, 'Oh, what are you doing?', and I sent him a couple songs that I was working on. I sent him "Your Lips Are Red" and I sent him "All My Stars Aligned", just to show, you know, 'wink-wink, hint-hint, this is what I'm doing.' And he wrote me back, the things that we'd said, and asked to play on the record. So I was, 'Well, okay, if you insist…'
That worked out pretty miraculously.

 

St. (musician) Vincent

 

I was recording with The Polyphonic Spree, recording The Fragile Army, and we were holed up in January in Minnesota at our studio. They called Mike in to play, and we just hit it off, in a really, really special way. Actually, the night after meeting and having a conversation with him, I sat down and I wrote "All My Stars Aligned". And I just kind of had an idea, "Wouldn't it be amazing if Mike Garson played? So the guy who played solo in Aladdin Sane, wouldn't it be amazing if this guy played this song?"
And I wrote it, based on a conversation we had, but I didn't want to ask him, because I felt shy, and nervous, and everything. It was a few months later, actually, we kind of got in touch, and, 'Oh, what are you doing?', and I sent him a couple songs that I was working on. I sent him "Your Lips Are Red" and I sent him "All My Stars Aligned", just to show, you know, 'wink-wink, hint-hint, this is what I'm doing.' And he wrote me back, the things that we'd said, and asked to play on the record. So I was, 'Well, okay, if you insist…'
That worked out pretty miraculously.

 

Annie Clark

 

Kim Gordon: "I went to see M.I.A. play at Mount Holyoke, and it was a hall filled with girls, and they were going crazy. I could hear the beats more live, the record is so dense. I like her lyrics. I like that her music is rhythms upon rhythms. It escapes genre. I wouldn’t even call it a hip-hop record, I’d just call it M.I.A. She had this great footage of tribal dancers and these two young girls dancing onstage who were amazing. “Kala” (Interscope) has great grooves — it’s very colorful, lots of texture and density. The rhythms aren’t generic. They’re intuitive and organic."

 

M.I.A.

 

"My first musical memory? It’s probably my grandfather sticking headphones on my head. He had a music room that was huge. He probably had two or three thousand records, you know what I mean, vinyl. My grandfather was a music buff, and I credit my affinity towards music to him. But I remember him sticking on the song 'Popcorn'. It’s a record called 'Popcorn', and it’s this quirky little disco melody that is stuck in my head to this day."

 

Klayton