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Gottfried Helnwein

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How does a friendly person like Helnwein stand making his — excellent — painting into a mirror of the terrors of this century? Or is it that he can't stand not doing it? Does his mirror just reflect the attitude of the century? Terror without end is better than ending in Terror.
--
Heiner Müller, essay "Black Mirror", Gottfried Helnwein, Self-portraits, Musée d’Art Moderne, Strasbourg, Edition Braus, Heidelberg, 1988,

 
Gottfried Helnwein

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In this crazy mirror of terror and art a pseudo-quotation made up of obscure Shakespeareanisms (Chapter Three) somehow produces, despite its lack of literal meaning, the blurred diminutive image of the acrobatic performance that so gloriously supplies the bravura ending for the next chapter.

 
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