We are always the same age inside.

 

We are always the same age inside.
--
As quoted in The American Treasury, 1455-1955 (1955) edited by Clifton Fadiman, p. 946

 

Gertrude Stein

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Do you think that you're beautiful?
Inside or outside? Mmmmm... outside I don't think about that too much because I realise that's all very superficial. I'm more concerned about inside, and inside I think I'm alright... I'm OK inside. I don't think I'm perfect and I don't call myself beautiful but I'm definitely not ugly inside. I've got friends who aren't that so called pleasant to look at but inside I think they're beautiful.

 

Kim Wilde

 

There is an unparalleled beauty inside. When you are in that place, you realize that you are never alone. When the whole world gives up on you, you can turn inside. When you are ready to give up on the whole world, you can turn inside. When you want to be with the whole world, you can still go inside and experience this beauty. Nothing ever changes in there.

 

Maharaji (Prem Rawat)

 

Technology is not neutral. We're inside of what we make, and it's inside of us. We're living in a world of connections — and it matters which ones get made and unmade.

 

Donna Haraway

 

It's fashionable for modern actors to talk about getting 'inside' a character. But you can't get to the inside without getting the outside right first.

 

Charlton Heston

 

Take the case of the infinite ocean. There is no limit to its water. Suppose a pot is immersed in it: there is water both inside and outside the pot. The jnani sees that both inside and outside there is nothing but Paramatman. Then what is this pot? It is "I-consciousness". Because of the pot the water appears to be divided into two parts; because of the pot you seem to perceive an inside and an outside. One feels that way as long as this pot of "I" exists. When the "I" disappears, what is remains. That cannot be described in words.

 

Ramakrishna

 

After all, everybody, that is, everybody who writes is interested in living inside themselves in order to tell what is inside themselves. That is why writers have to have two countries, the one where they belong and the one in which they live really. The second one is romantic, it is separate from themselves, it is not real but it is really there.

 

Gertrude Stein