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George Santayana

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The Bible is literature, not dogma.

 
George Santayana

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Take some time and put the Bible on your summer reading list. Try and stick with it cover to cover. Not because it teaches history; we've shown you it doesn't. Read it because you'll see for yourself what the Bible is all about. It sure isn't great literature. If it were published as fiction, no reviewer would give it a passing grade. There are some vivid scenes and some quotable phrases, but there's no plot, no structure, there's a tremendous amount of filler, and the characters are painfully one-dimensional. Whatever you do, don't read the Bible for a moral code: it advocates prejudice, cruelty, superstition, and murder. Read it because: we need more atheists — and nothin' will get you there faster than readin' the damn Bible.

 
Penn Jillette
 

But whatever the deity which satisfied Arnold's personal experience may have been, the religion which he gives us in Literature and Dogma and God and the Bible is neither Deism nor bare Pan-Deism, but a diluted Positivism. As an ethical system it is in theory admirable, but its positive value is in the highest degree questionable. Pascal's judgment upon the God who emerged from the philosophical investigations of Rene Descartes was that He was a God who was unnecessary. And one may with even greater truth say that the man who is able to receive and live by the religion which Arnold offers him is no longer in need of its help and stimulus. To be able to appreciate an ethical idealism a man must himself be already an ethical idealist.

 
Matthew Arnold
 

To have access to literature, world literature, was to escape the prison of national vanity, of philistinism, of compulsory provincialism, of inane schooling, of imperfect destinies and bad luck. Literature was the passport to enter a larger life; that is, the zone of freedom.
Literature was freedom. Especially in a time in which the values of reading and inwardness are so strenuously challenged, literature is freedom.

 
Susan Sontag
 

The writer is an ordinary man, not a spokesman for the people, and that literature can only be the voice of one individual. Writing that becomes an ode to a country, the standard of a nation, the voice of a party... loses its nature—it is no longer literature. Writers do not set out to be published, but to know themselves. Although Kafka or Pessoa resorted to language, it was not in order to change the world. I, myself, believe in what I call cold literature: a literature of flight for one's life, a literature that is not utilitarian, but a spiritual self-preservation in order to avoid being stifled by society. I believe in a literature of the moment, for the living. You have to know how to use freedom. If you use it in exchange for something else, it vanishes.

 
Gao Xingjian
 

Julian read the Bible as if it were a work of contemporary fiction, open to criticism or even revision. Once, when I queried him about the purpose of his unusual reinterpretations, he said to me, “I want a better Bible, Adam. I want a Bible in which the Fruit of Knowledge contains the Seeds of Wisdom, and makes life more pleasurable for mankind, not worse. I want a Bible in which Isaac leaps up from the sacrificial stone and chokes the life out of Abraham, to punish him for the abject and bloody sin of Obedience. I want a Bible in which Lazarus is dead and stubborn about it, rather than standing to attention at the beck and call of every passing Messiah.”

 
Robert Charles Wilson
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