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George Chapman

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Let pride go afore, shame will follow after.
--
Act iv, scene 1.

 
George Chapman

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Shame is a secret pride; and pride is an error with regard to one's own worth, and an injustice with regard to what one has a mind to appear to others.

 
Anne-Therese de Marguenat de Courcelles
 

He, without voice and opening of lips, formed in my soul these words: Herewith is the Fiend overcome. These words said our Lord, meaning His blessed Passion as He shewed it afore.
On this shewed our Lord that the Passion of Him is the overcoming of the Fiend. God shewed that the Fiend hath now the same malice that he had afore the Incarnation. And as sore he travaileth, and as continually he seeth that all souls of salvation escape him, worshipfully, by the virtue of Christ’s precious Passion. And that is his sorrow, and full evil is he ashamed: for all that God suffereth him to do turneth us to joy and him to shame and woe. And he hath as much sorrow when God giveth him leave to work, as when he worketh not: and that is for that he may never do as ill as he would: for his might is all taken into God’s hand.

 
Julian of Norwich
 

Pride in one’s work carries with it a determination to accept the demands imposed by that work: in the case of philosophy to follow the argument where it leads, in the case of history to discover what actually happened, in the case of literature to explore to its depths a particular theme. In consequence, this sort of pride demands freedom: it has to be laid low in any authoritarian State. The historian, in such a system, has to conform to official interpretations of the past, the philosopher to dogmas, the writer to stereotypes of human action, the craftsman to “production-schedules.” More subtly, attempts are made to lay pride low in a consumer’s society: the film-director, the novelist, the craftsman are called upon to produce “what will sell” at whatever cost to their pride in workmanship.

 
John Passmore
 

Only in recent history has “working hard” signaled pride rather than shame for lack of talent, finesse and, mostly, sprezzatura.

 
Nassim Nicholas Taleb
 

On the abstract level, I have turned the belief in my own fallibility into the cornerstone of an elaborate philosophy. On a personal level, I am a very critical person who looks for defects in myself as well as in others. But, being so critical, I am also quite forgiving. I couldn't recognize my mistakes if I couldn't forgive myself. To others, being wrong is a source of shame; to me, recognizing my mistakes is a source of pride. Once we realize that imperfect understanding is the human condition, there is no shame in being wrong, only in failing to correct our mistakes.

 
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