It is from.. .. Renaissance that individualism in painting dates; and I do not believe there is any use in looking in this direction if we desire to bring into being a fresh mural art, one that shall be at once popular, collective and contemporary. on making murals, fh)
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The New Realism goes on, F. Léger, Art Front, February 1937 pp. 7-8Fernand Leger
» Fernand Leger - all quotes »
The mural artist is concerned with bringing to life dead surfaces by the application of colour. (on making murals, 1937)
Fernand Leger
After completing my work (painting murals for the Jewish Teatre, fh) I thought, as has been agreed, that ot would be shown in public as a series of my latest things. The management will agree with me that I can find no inner peace as a painter until the “masses” see my work etc. It turned out that the thinhs (the murals) had been put into a “cage”, as it were, where they can be seen at the very best by (if you will forgive me for saying so) Jews at close quarters. I like the Jews a lot (there’s enough ”proof” of that) but I like the Russians as well and some other nationalities, and I am used to painting serious things for many “nationalities”.
Marc Chagall
The idea of an isolated American painting, so popular in this country during the thirties, seems absurd to me, just as the idea of a purely American mathematics or physics would seem absurd... And in another sense, the problem doesn’t exist at all; or, if it did, would solve itself: An American is an American and his painting would naturally be qualified by the fact, whether he wills or not. But the basic problems of contemporary painting are independent of any one country.
Jackson Pollock
When I am in my painting, I am not aware of what I’m doing. It is only after a short of ‘get acquainted’ period that I see what I have been about. I have no fears about making changes, destroying the image, etc., because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.
Jackson Pollock
Here you are, put this somewhere, on your work table. You must always have this before your eyes.. ..It’s a new order of painting. Our Renaissance starts here.. ..There’s a pictorial truth in things. This rose and this white lead us to it by a path hitherto unknown to our sensibility.. (on a photo of the painting ‘Olypmpia’ of Manet, fh)
Paul Cezanne
Leger, Fernand
Leggett, Anthony James
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