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I dispersed my objects in space and got them to hold together by making them radiate forwards, out of the picture. It’s all an easy interplay of chords and rhythms made up of foreground and background colours, of conducting lines, of distances and of contrasts.
--
exhibition catalogue Fernand Léger, Paris 1972, p. 91

 

Fernand Leger

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Mental space and its existence is what makes things like remote viewing possible. There shouldn’t be any limit to it. As I understand mental space, one of the differences between it and physical space, is that there is no space in it. All the distances are associative. In the real world, Land's End and John O’Groats are famously far apart. Yet you can’t say one without thinking of the other. In conceptual space they are right next to one another. Distances can only be associative, even vast interstellar distances shouldn’t be a problem. Time would also function like this.

 

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The car is not a rabbit or a deer that jumps around in sweeping lines, but it is a man-made work of technology in need of an appropriate roadway. Rather, the car resembles a dragon fly or any other jumping animal that moves shorter distances in straight lines and then changes its direction at different points.

 

Fritz Todt

 

Drawing is based upon perspective, which is nothing else than a thorough knowledge of the function of the eye. And this function simply consists in receiving in a pyramid the forms and colours of all the objects placed before it. I say in a pyramid, because there is no object so small that it will not be larger than the spot where these pyramids are received into the eye. Therefore, if you extend the lines from the edges of each body as they converge you will bring them to a single point, and necessarily the said lines must form a pyramid.

 

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Science always doesn't go forwards. It's a bit like doing a Rubik's cube. You sometimes have to make more of a mess with a Rubik's cube before you can get it to go right. You build up this picture of what there is and you believe it to be true and you work with this picture and you refine it but sometimes you have to abandon the picture. Sometimes you discover the picture you thought you had, that everybody thought we had, actually turns out to be wrong.

 

Jocelyn Bell Burnell