I was attracted to Romanesque sculptures, to the complete re-invented figures and the freedom with which the Romanesque artist constructed them. He does not copy, he creates in a totally anti-Renaissance fashion can say that in Romanesque sculpture I have found a starting point for distortion.
--
Kunst und Zeugnis, Dora Vallier, Zürich 1967, p. 67Fernand Leger
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Leger, Fernand
Leggett, Anthony James
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