I venture out to the great ‘sujet’; but, I repeat, my painting always remains object painting; it starts around 1936 with Adam et Eve. My figures humanise themselves further, but I always stick to the pictorial circumstance – no eloquence, no romanticism -
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Bekentnisse und Gespräche, Fernand Léger, André Verdet, Zürich 1957 pp. 32-33Fernand Leger
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