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Fernand Leger

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..the personification of the close-up detail, the individualisation of the fragment, where the drama takes shape, moves and have it being. Film concurs with this aspect for life. The hand is a multiple, transformable object. Before I saw it in a film, I did not know what a hand was! The object in itself is capable of becoming an absolute, moving, tragic thing.
--
L'ésthetique de la Machine - l’Ordre Géometrique et le Vrai -, Propos d’Artistes, 1925

 
Fernand Leger

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