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This somewhat unpleasant tale, published as a novelette in the "Smart Set" in July, 1920, relates a series of events which took place in the spring of the previous year. Each of the three events made a great impression upon me. In life they were unrelated, except by the general hysteria of that spring which inaugurated the Age of Jazz, but in my story I have tried, unsuccessfully I fear, to weave them into a pattern — a pattern which would give the effect of those months in New York as they appeared to at least one member of what was then the younger generation.
--
On "May Day"

 

F. Scott Fitzgerald

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My life seemed to be a series of events and accidents. Yet when I look back I see a pattern.

 

Benoit Mandelbrot

 

There's a major pattern of energy in universe wherein the very large events, earthquakes, and so forth, occur in any one area of universe very much less frequently than do the small energy events. Around the Earth insects occur more often than do earthquakes. In the patterning of total evolutionary events, there comes a time, once in a while, amongst the myriad of low energy events, when a large energy event transpires and is so disturbing that with their general adaptability lost, the ultra-specialized creatures perish.

 

Buckminster Fuller

 

TV is not good at covering single events. It needs a ritual, a rhythm, and a pattern...[TV] tends to fosters patterns rather than events.

 

Marshall McLuhan

 

In one way or another one "lives" the myth, in the sense that one is seized by the sacred, exalting power of the events recollected or re-enacted.
"Living" a myth, then, implies a genuinely "religious" experience, since it differs from the ordinary experience of everyday life. The "religiousness" of this experience is due to the fact that one re-enacts fabulous, exalting, significant events, one again witnesses the creative deeds of the Supernaturals; one ceases to exist in the everyday world and enters a transfigured, auroral world impregnated with the Supernaturals' presence. What is involved is not a commemoration of mythical events but a reiteration of them. The protagonists of the myth are made present; one becomes their contemporary. This also implies that one is no longer living in chronological time, but in the primordial Time, the Time when the event first took place. This is why we can use the term the "strong time" of myth; it is the prodigious, "sacred" time when something new, strong, and significant was manifested. To re-experience that time, to re-enact it as often as possible, to witness again the spectacle of the divine works, to meet with the Supernaturals and relearn their creative lesson is the desire that runs like a pattern through all the ritual reiterations of myths. In short, myths reveal that the World, man, and life have a supernatural origin and history, and that this history is significant, precious, and exemplary.

 

Mircea Eliade

 

“You will understand,” said the Weaponeer, “that a pattern for events exists. It is the function of such as myself to shape events so that they will fit the pattern.” He bent, with a graceful sweep of arm, and seized a small jagged pebble. “Just as I can grind this bit of rock to fit a round aperture.”
Kergan Banbeck reached forward, took the pebble, tossed it high over the tumbled boulders. “That bit of rock you shall never shape to fit a round hole.”
The Weaponeer shook his head in mild deprecation. “There is always more rock.”
“And there are always more holes,” declared Kergan Banbeck.

 

Jack Vance