Elvis is everywhere. Elvis is everything. Elvis is everybody. Elvis is still the King.
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Mojo Nixon in "Elvis is Everywhere"Elvis Presley
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Elvis was a brilliant artist. As a musicologist — and I consider myself one — there was always a great deal of respect for Elvis, especially during his Sun sessions. As a black people, we all knew that. (In fact), Eminem is the new Elvis because, number one, he had the respect for black music that Elvis had.
Elvis Presley
If Rock and Roll were a religion, Elvis was its most prolific disciple, responsible for more converts than anyone before or after him; if it had been country, Elvis was a Founding Father and his lyrics were the documents of freedom that helped to birth the nation; if it were a sickness, Elvis-itis would be the most potent and contagious virus known to man, infecting victims who just looked at his image, heard his voice or saw him perform in person or through a recording. But since Rock and Roll is music, we’ve all decided the world over to just call Elvis…the King.
Elvis Presley
Don’t let me get grand with you; I’m not someone who was, from day one, turning himself into a philosophical academic or anything; I was, from day one, someone who was determined to survive, and to pay attention to what was going on around him, period, and when Elvis Presley came along, my heart stood still, to borrow the Larry Hart lyric. The first note I heard from him, I said, “Well, this is it, this is a sufferer like me, this is something new, this is what I want, this is who I am, in a way,” and Elvis had that gift. That’s why there are so many Elvis imitators.
George W. S. Trow
As a vocalist, Elvis Presley possessed the rare ability to give the melodramatic a genuine authenticity; it's easy to take Elvis Presley for granted and yes, we all know that Elvis had a huge role in defining rock in the beginning, but few of us really know what that means; but then there's that voice, which Elvis uses to cut through to the most complex meaning of the song — the meaning that the song's writers might not even know exists — and lay it bare. On "From Elvis In Memphis", he takes the longing sentiment in "Any Day Now" (1969), his voice lending it a certain buoyancy that most artists would never even think belongs, and in doing so he embeds a deceptively simple pop song with depth and mystery, all through inflection; a craftsman at heart, his experimentation didn't manifest itself in innovation, but in refinement of his already incomparable technique; as a result, "From Elvis In Memphis" documents what happens when an artist who instinctively personalizes the songs he sings decides to get even more personal; the outcome is raw, stripped of all pretense, and dedicated to the idea of the song, his voice bringing with it a grave amount of weight; if you want an indication of why Elvis deserves a place in current pop culture, pick up "From Elvis In Memphis"; the music speaks for itself; authenticity never goes out of style.
Elvis Presley
Presley, Elvis
Pressel, Wilhelm von
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