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During his rendition of "Hurt", (1976), he was in even better voice, singing in a register that gave more impact to his phrasing, and even hitting notes that could cause a mild hernia. And, after they drew a good crowd reaction, he offered them in a reprise that was tantamount to masochism.
--
Mike Kalina, reviewing Elvis' 1976 New Year's concert for the "Pittsburgh Post Gazette", January 1, 1977.

 

Elvis Presley

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Danny Boyle: "When I use somebody's song in a film, I like them to see the movie, if possible, so they know how it's used. She came into the cutting room and watched it. You get a lot of people giving you notes on films when you're making them, and most of them are rubbish, to be honest. People might think they're good. Well, she came in told me the film was very good, but said, "Do you want some notes?" She gave me two specific notes, both of which we included in the film, essentially saying, "If you do that there, you'll understand why he gets on the show." She's very smart."

 

M.I.A.

 

Elvis' lowest effective note was a low-G, as heard on "He'll Have To Go" (1976); on "King Creole" (1958), he growls some low-F's; going up, his highest full-voiced notes were the high-B's in "Surrender" (1961) and "Merry Christmas Baby" (1971), the high-G at the end of "My Way" (1976 live version), and the high-A of "An American Trilogy" (1972); using falsetto, Elvis could reach at least a high-E, e.g, as in "Unchained Melody" (1977), so, it was very nearly a three-octave range, although more practically two-and-a-half.

 

Elvis Presley

 

[Callas was] An outstanding historical figure, ranking with Malibran, Viardot, Toscanini, and Mahler. She is somewhat like Viardot, Chorley's "tones of an engaging tenderness" mingled with those "of a less winning quality." It was a flawed voice. But then Callas sought to capture in her singing not just beauty but a whole humanity, and within her system, the flaws feed the feeling, the sour plangency and the strident defiance becoming aspects of the canto. They were literally defects of her voice; she bent them into advantages of her singing. [Her voice] is what she had. What she made was a musical information of what was happening to her characters, a searching virtuosity. Suffering, delight, humility, hubris, despair, rhapsody — all this was musically appointed, through her use of the voice flying the text upon the notes....

 

Maria Callas

 

So we pulled up to this diner, where people told us that we could get some good pie. And I like pie. Do you like pie too? So, we go in there, and we say, "Oh, what kind of pie you got?' And they didn't have sweet potato pie, they didn't have pumpkin pie. They had some cream pies mostly, which is OK with me. So, I got some coconut cream pie. And Governor Strickland, he got lemon meringue pie.
So while we're waiting for our pie, the staff come and they want to take a picture with me because they say, you know, the owner of this dinner is a staunch die-hard Republican, so we want to kind of tease him a little bit by getting this picture with you. So we're taking this picture and suddenly the owner comes out with the pie. And he looks at me and I say, "Sir, I understand that you are a die-hard Republican." He says, "That's right." I said, "How's business?" He said, "Not so good." He said, "My customer, they can't afford to eat out anymore." I said, "Who's been in charge of the economy for the last eight years?" He said, "Republicans." I said, "You know, if you kept on hitting your head against a wall over and over again and it started to hurt, at some point would you stop hitting your head against the wall?" He said, "You've got a point."

 

Barack Obama

 

There comes a point when the voice starts to wash over you. You get inside of it, start to really hear what he's doing, and you realise his singing has this extraordinary, effortless quality to it. Sometimes it's like listening to a stream of honey. It's a very smooth ride, the voice of Elvis Presley. I don't think you focus on the words when he's singing. I think he's doing what bel canto singers do - you don't listen to the words, "just" to the beauty of his voice-. When I say "just", that makes it sound as if he's denying you something else but, actually, that's quite enough.

 

Elvis Presley