Certainly the most famous performer to be attached to a tongues-speaking fellowship was Elvis Presley; shortly after the Presleys arrived in Memphis, from Tupelo, a First Assembly of God bus swung through their rundown neighborhood, so they climbed aboard and became regulars of Pastor James Hamill's congregation; Hamill remembers Elvis attended Sunday school and was exposed there to the best in Pentecostal music; in 1957, after he achieved international acclaim, Presley said 'We used to go to these religious sing-ins all the time, and there were these perfectly fine singers nobody responded to, but there were also these other singers who cut up all over the place, jumping on the piano, moving every which way, and all of which the audience liked, so I guess I learned from them'; uninhibited Pentecostalism gave young Elvis ideas about music and performance and, from then on, he was sometimes called the "Evangelist" by his inner circle of friends.
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Randall J. Stephens, American Religion historian, recounting how Elvis got attached to Gospel and Christian Music, years before he decided to take up a music career, albeit heavily influencing it, as excerpted from in his book "The Fire Spreads: Holiness and Pentecostalism in the American South", published in 2008Elvis Presley
» Elvis Presley - all quotes »
Having watched Elvis onstage during his entire career, I was always amazed how Elvis was able to adapt to his audience and always rise to the occasion. Elvis was the most exciting stage performed who ever sat foot on a stage. He never allowed his music to be "manipulated" and his "light show" consisted of a handful of color lights masterfully choreographed by Lamar Fike. He had the vocal mastery to take a contemporary iconic song such as "Bridge Over Troubled Water"΄ ( starting in 1970), and make it is his own. As of 1971, for instance, he would pour out his heart out onstage and could go from the buildup of "2001 A Space Odyssey" to "Johnny B Goode", to the gospel song "How Great Thou Art" and, before the audience could recover from the emotional experience of hearing/seeing Elvis perform these songs with vocal excellence, he would turn to singing one of his hits such as "Suspicious Minds". He surrounded himself with the best of the best, pertaining to the orchestra to the band, to the backup singers etc., and everyone who worked with him has confirmed that Elvis' vocal range has never been equalled. Even when Elvis' health problems were the most dramatic (i.e. visually, physically, mentally, emotionally, etc.), he sang his heart out and if you listen to the "CBS 1977 Concert", which aired after Elvis died sadly, Elvis' talent and vocal range is almost a "spiritual experience", touching something wonderful inside of our soul and leaving its imprint for all time. Hence, our ears after hearing the exceptional talent of Elvis' voice long for the time when Elvis sang live and/or put out a new album, and hearing him sing was a true blessing. (In fact), not a day goes by that I dont' miss Elvis Presley as a performer - as a Father to his daughter - and as a charitable man - and as a beloved friend surrounded by lifetime friends (i.e. Marty Lacker, Red West, Sonn y West, Lamar Fike, Billy Smith, etc.), leaving us three decades of exceptional music. Elvis Presley took the talents that God gave him and shared them with the world, gave us his time and did so with grace. These are lessons that all of us can learn from and celebrate from generation to generation.
Elvis Presley
As a vocalist, Elvis Presley possessed the rare ability to give the melodramatic a genuine authenticity; it's easy to take Elvis Presley for granted and yes, we all know that Elvis had a huge role in defining rock in the beginning, but few of us really know what that means; but then there's that voice, which Elvis uses to cut through to the most complex meaning of the song the meaning that the song's writers might not even know exists and lay it bare. On "From Elvis In Memphis", he takes the longing sentiment in "Any Day Now" (1969), his voice lending it a certain buoyancy that most artists would never even think belongs, and in doing so he embeds a deceptively simple pop song with depth and mystery, all through inflection; a craftsman at heart, his experimentation didn't manifest itself in innovation, but in refinement of his already incomparable technique; as a result, "From Elvis In Memphis" documents what happens when an artist who instinctively personalizes the songs he sings decides to get even more personal; the outcome is raw, stripped of all pretense, and dedicated to the idea of the song, his voice bringing with it a grave amount of weight; if you want an indication of why Elvis deserves a place in current pop culture, pick up "From Elvis In Memphis"; the music speaks for itself; authenticity never goes out of style.
Elvis Presley
Had Presley never sung a note he might have still caused a stir, but sing he did. Watershed hits such as "All Shook Up" (1957) or, for instance, "Are You Lonesome Tonight", (1960), were eminately Presley's from the moment he put his stamp on them. His jagged, bubbly highs, and Southern baritone jump from those recordings like spirits from a cauldren. Elvis crooned romantically, then screeched relentlessly, always pouring his heart into the lyric and melody. After Elvis, the male vocalist could no longer just sing a song, especially in the new world of rock-n-roll. The "feel" of a performance far out-weighed the perfection of the take.
Elvis Presley
I had a lot of problems with my name ... my first name Declan is really not very well known outside of Ireland, MacManus is a name they could never spell ... if you think about the names of '76, '77 ... I got of kind of lightly with a name you could live with, you know, in time. ... I kind of liked the dare of it. Of course we weren't to know that within a month of my first album actually being issued Elvis Presley would die, and it would actually be a talking point. ... Let me put it this way people don't forget you with that name. It's sort of receded as and this may sound terribly disrespectful and heretical but as Elvis Presley has receded as a musical force, people make much less of a case about it. Elvis is a sort of cultural figure but there is no direct line between the music of Elvis Presley and the music of today. There is none whatsoever, he's no influence whatsoever, that I can detect, on music made today. Other than people who consciously retro in styling themselves after his ideas. There is no direct impact in the way that you can hear the influence of The Beatles or Stevie Wonder or numerous other people.
Elvis Costello
Presley brought an excitement to singing, in part because rock and roll was greeted as his invention, but for other reasons not so widely reflected on: Elvis Presley had the most beautiful singing voice of any human being on earth. Presley, for some fans, was primarily a balladeer. "Don't Leave Me Now" (1957), is a love song given distinctiveness by Presley's twangy enunciations, and sustained by the guitar and rhythm sections designed perfectly to complement the balladeer, filled out towards the song's end - as with so much of Presley- ,with what one conveniently calls the heavenly choir, which wafts him home but never overwhelms the country lilt Presley gives his music.
Elvis Presley
Presley, Elvis
Pressel, Wilhelm von
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