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Edward Teller

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My name is not Strangelove. I don't know about Strangelove. I'm not interested in Strangelove. What else can I say?... Look. Say it three times more, and I throw you out of this office.
--
Quoted in "Infamy and honor at the Atomic Café : Edward Teller has no regrets about his contentious career" by Gary Stix in Scientific American (October 1999), p. 42-43

 
Edward Teller

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I love almost all of Stanley Kubrick, there’s almost no Stanley Kubrick I don’t love. I love Lolita, I love Dr. Strangelove. I love A Clockwork Orange, obviously. I even like a lot of Barry Lyndon (laughs). And early stuff, like The Killing and Paths of Glory. … It’s ridiculous. Look, he made the best comedy ever, he may have made one of the best science fiction movies ever, he made the best horror movie ever. I couldn’t watch the end of The Shining. I went through half The Shining for years before I could finish, because I’m a writer and as soon as he starts writing “All work and no play makes Jack a dull boy,” I had to turn it off. It’s almost like Picasso in that he mastered so many different genres. … he took his time and patience and he had a crew of like 18 people. They were very handmade movies these were not large behemoths that he did; they were very thoughtful and his editing process was long. He’s kind of without peer really. If I was gonna settle on a director, probably Kubrick.

 
Stanley Kubrick
 

For every wicked witch there is, in our cluture, a black magician, an alchemist, a Flying Dutchman, a Doctor Strangelove, a Vincent Price. The scientist, like the magician, possesses secrets. A secret — expertise — is somehow perceived as antidemocratic, and therefore ought to be unnatural. We have come a long way from Prometheus to Faust to Frankenstein. And even Frankenstein's monster is now a joke. Mr. Barnouw reminds us of "The Four Troublesome Heads" (1898), in which a conjuror punishes three of his own severed heads because they sing out of tune; he hits them with a banjo.
This book, at once scrupulous and provocative, reminds us of two habits of mind we seem to have misplace — innocent wonder and an appreciation of practical brain power. Peeled grapes are out and LSD is in. (Again, alas.) If we laugh at Frankenstein, we also laugh at Bambi. We are more inclined to shrug than we are to gasp. Isn't everything a trick? Am I putting you on? Of course not; you wouldn't fit. Hit me with a banjo.

 
John Leonard
 

I know that science and technology are not just cornucopias pouring good deeds out into the world. Scientists not only conceived nuclear weapons; they also took political leaders by the lapels, arguing that their nation — whichever it happened to be — had to have one first. … There’s a reason people are nervous about science and technology.
And so the image of the mad scientist haunts our world—from Dr. Faust to Dr. Frankenstein to Dr. Strangelove to the white-coated loonies of Saturday morning children’s television. (All this doesn’t inspire budding scientists.) But there’s no way back. We can’t just conclude that science puts too much power into the hands of morally feeble technologists or corrupt, power-crazed politicians and decide to get rid of it. Advances in medicine and agriculture have saved more lives than have been lost in all the wars in history. Advances in transportation, communication, and entertainment have transformed the world. The sword of science is double-edged. Rather, its awesome power forces on all of us, including politicians, a new responsibility — more attention to the long-term consequences of technology, a global and transgenerational perspective, an incentive to avoid easy appeals to nationalism and chauvinism. Mistakes are becoming too expensive.

 
Carl Sagan
 

For when we are interested in the beauty of a thing, the oftener we can see it the better; but when we are interested only by the story of a thing, we get tired of hearing the same tale told over and over again, and stopping always at the same point — we want a new story presently, a newer and better one — and the picture of the day, and novel of the day, become as ephemeral as the coiffure or the bonnet of the day. Now this spirit is wholly adverse to the existence of any lovely art. If you mean to throw it aside to-morrow, you can never have it to-day.

 
John Ruskin
 

No talent is required to reproduce. Nature has done a tremendous job in creating this extraordinary piece — the body. The body does not want to learn anything from culture. It doesn't want to know anything from us. We are always interested in telling this body how to function. All our experiences, spiritual or otherwise, are the basic cause of our suffering. The body is not interested in your bliss or your ecstasies. It is not interested in your pleasure. It is not in interested in anything that you are interested in. And that is the battle that is going on all the time. But there seems to be no way out.

 
U. G. Krishnamurti
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