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I contributed; Ulam did not. I'm sorry I had to answer it in this abrupt way. Ulam was rightly dissatisfied with an old approach. He came to me with a part of an idea which I already had worked out and difficulty getting people to listen to. He was willing to sign a paper. When it then came to defending that paper and really putting work into it, he refused. He said, "I don't believe in it."
--
On the creation of the hydrogen bomb, in "Infamy and honor at the Atomic Café : Edward Teller has no regrets about his contentious career" by Gary Stix in Scientific American (October 1999), p. 42-43.

 

Edward Teller

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I was lucky to be part of the "underground comix" thing in which cartoonists were completely free to express themselves. To function on those terms means putting everything out in the open—no need to hold anything back—total liberation from censorship, including the inner censor! A lot of my satire is considered by some to be "too hard." My "negro" characters are not about black people, but are more about pushing these "uncool" stereotypes in readers' faces, so suddenly they have to deal with a very tacky part of our human nature. ... Who did I think I was appealing to? I don't know. I was just being a punk, putting down on paper all these messy parts of the culture we internalize and keep quiet about. I admit I'm occasionally embarrassed when I look at some of that work now.

 

Robert Crumb

 

"Here's what's not beautiful about it: from here, you can't see the rust or the cracked paint or whatever, but you can tell what the place really is. You see how fake it all is. It's not even hard enough to be made out of plastic. It's a paper town. I mean look at it, Q: look at all those cul-de-sacs, those streets that turn in on themselves, all the houses that were built to fall apart. All those paper people living in their paper houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail. And all the people, too. I've lived here for eighteen years and I have never once in my life come across anyone who cares about anything that matters."

 

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