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He is thinner, taller, younger – more boyish-looking – than expected, but he is also the shyest and most nervous human being I have ever seen. He chews not merely his nails but his fingers, twitches his pouty mouth and chin, chain-smokes, wiggles his nose in constant adjustment of his spectacles, looks querulous one moment and ready to cry the next. His hands tremble, he stutters, his whole frame wobbles when he shakes hands…There is no betrayal of the thoughts behind those frightened, very intelligent eyes.
--
Robert Craft, journal entry for October 1, 1962; published in Igor Stravinsky and Robert Craft Dialogues and Diary (1968) pp. 291-2.

 

Dmitri Shostakovich

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He looked to me like an intelligent elementary schoolteacher, certainly not a man of violence. I could not for the life of me see anything outstanding or extraordinary about this middle-sized, youthfully slender man in grey S.S. uniform. Under a brow of average height two grey-blue eyes looked out at me, behind glittering prince-nez, with an air of peaceful interrogation. The trimmed moustache below the straight, well-shaped nose traced a dark line on his unhealthy, pale features. The lips were colourless and very thin. Only the inconspicuous, receding chin surprised me. The skin of his neck was flaccid and wrinkled. With a broadening of his constant, set smile, faintly mocking and sometimes contemptuous about the corners of the mouth, two rows of excellent white teeth appeared between the thin lips. His slender, pale, and almost girlishly soft hands, covered with blue veins, lay motionless on the table throughout our conversation.

 

Heinrich Himmler

 

I saw standing against the great stone pillar — on more red plush — a tall, slim boy in evening dress — so much slimmer, so much taller, so much more poised than I expected. A very refined face, not at all like those grinning 'Lindy' pictures — a firm mouth, clear, straight blue eyes, fair hair, and nice color. Then I went down the line very confused and overwhelmed by it all. He did not smile — just bowed and shook hands.

 

Anne Morrow Lindbergh

 

Take these hands
Teach them what to carry.
Take these hands
Don't make a fist.
Take this mouth
So quick to criticize
Take this mouth
Give it a kiss.

 

Larry Mullen

 

No one in the history of the written word, not even William MacGonagall, or Spike Milligan or D. H. Lawrence, is so wide open to damaging quotation. Try this, more or less at random: 'A murderer in the moment of his murder could feel a sense of beauty and perfection as complete as the transport of a saint.' Or this: Film is a phenomenon whose resemblance to death has been ignored for too long. His italics.
On every page Mailer will come up with a formulation both grandiose and crass. This is expected of him. It is also expected of the reviewer to introduce a lingering 'yet' or 'however' at some point, and say that 'somehow' Mailer's 'fearless honesty' redeems his notorious excesses. He isn't frightened of sounding outrageous; he isn't frightened of making a fool of himself; and, above all, he isn't frightened of being boring. Well, fear has its uses. Perhaps he ought to be a little less frightened of being frightened.

 

Martin Amis

 

His ridiculous and diabolical opinions made me shudder. I began to look a little more closely at this person and was amazed to see something frightening in his face that I had not noticed before: his eyes were small and sunken, his skin dark, his mouth big, his chin hairy and his nails black. Oh God, I thought immediately, this miserable creature is condemned already and may even be the Antichrist that people talk about so much in our world.

 

Cyrano de Bergerac