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David Gilmour

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Usually, in the studio, on this sort of thing ... you just go out and have a play over it, and see what comes, and it's usually — mostly — the first take that's the best one, and you find yourself repeating yourself thereafter.
--
from Time, quoted in Classic Albums: Pink Floyd — The Dark Side of the Moon; on the guitar solo

 
David Gilmour

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There is no set sort of rules, or no set sort of formula to the way we work in the studio ... so it's difficult to know ... what we'll move on to next. We don't like to say, "Never, no we'd never do this" ... But, we ... like the setup as far as there's only three people in the studio ... because the work is very personal, very intimate, very emotional ... and that is very important to the album.

 
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In the last couple of years I've been doing this sort of thing constantly, often repeating myself, becoming an avoidable Doomsday bore. But anything of importance — like a garden, a human relationship, a child, a religious faith, even the most convinced brand of atheism has to be worked on constantly if it is to survive.

 
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Say you've been to MGM (Metro-Goldwyn-Mayer) Disney Studios in Orlando, you'll know that there's an animation studio where you actually walk out of the back door of the animation studio and you're in a theme park. Now you say, hey, that's pretty cool. Could any animation studio have a sort of situation like that that is any cooler? And you think not. Well, you're wrong, I'd say, because here at Big Idea when we walk out our back door, We have the Timework button, we push the button, we open the door[...] and, we're in a mall. Disney has nothing on this. You can be animating one moment, buying candy by the pound the next, or taking a ride on a little train, or going to the food court.

 
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The mammalian record thus confirms our statement that any animal which is not too strongly conditioned by some special sort of experience is capable of responding to any adequate stimulus. This is what we find in the more uninhibited segments of our human species, and this is what we find among young children who are not too rigorously restrained in their early sex play. Exclusive preferences and patterns of behavior, heterosexual or homosexual, come only with experience, or as a result of social pressures which tend to force an individual into an exclusive pattern of one or the other sort. Psychologists and psychiatrists, reflecting the mores of the culture in which they have been raised, have spent a good deal of time trying explain the origins of homosexual activity; but considering the physiology of sexual response and the mammalian backgrounds of human behavior, it is not so difficult to explain why a human animal does a particular thing sexually. It is more difficult to explain why each and every individual is not involved in every type of sexual activity.

 
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