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We remain in the Romantic cycle initiated by Rousseau: liberal idealism canceled by violence, barbarism, disillusionment and cynicism.
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p. 232

 

Camille Paglia

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We must rekindle the fire of idealism in our society, for nothing suffocates the promise of America more than unbounded cynicism and indifference.

 

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And for anyone to think that murder can be resolved by murdering, it's ridiculous. I mean, we look at all of the wars that we have throughout other countries and other nations, and all it does is – this violence, all it does is engender violence. There seems to be no end, but a continuous cycle, an incessant process of blood and gore that doesn't end. And through violence, you can't possibly obtain peace. You can, in a sense, occupy a belief of peace; in other words, through this mechanism of violence, you – it appears that because there is a standing army or standing police that is used in brutality or violence or a system that uses brutality or violence that that is going to totally eliminate or stop criminous behavior or criminous minds or killings or what have you, but it doesn't.

 

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We are at the classic-romantic barrier now, where on one side we see a cycle as it appears immediately... and this is an important way of seeing it... and where on the other side we can begin to see it as a mechanic does in terms of underlying form... and this is an important way of seeing things too. These tools for example... this wrench... has a certain romantic beauty to it, but its purpose is always purely classical. It's designed to change the underlying form of the machine.

 

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Watching violence in movies or TV programs stimulates the spectators to imitate what they see much more than if seen live or on TV news. In movies, violence is filmed with perfect illumination, spectacular scenery, and in slow motion, making it even romantic. However, in the news, the public has a much better perception of how horrible violence can be, and it is used with objectives that do not exist in the movies.

 

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