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Arthur Miller

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Well, all the plays that I was trying to write … were plays that would grab an audience by the throat and not release them, rather than presenting an emotion which you could observe and walk away from.
--
The New York Times (9 Feb 1986)

 
Arthur Miller

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There is abundant evidence in Stoppard’s plays to show that he is as capable of emotion as anybody. In Enter A Free Man Linda is a finely tuned moral invention whose equivalents we might well miss in the later plays, if we really thought they should be there. The mainspring of Rosencrantz and Guildenstern Are Dead is the perception—surely a compassionate one—that the fact of their deaths mattering so little to Hamlet was something which ought to have mattered to Shakespeare.

 
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Man only plays when in the full meaning of the word he is a man, and he is only completely a man when he plays.

 
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