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Anne Louise Germaine de Stael

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Genius is essentially creative; it bears the stamp of the individual who possesses it.
--
Bk. 7, ch. 1

 
Anne Louise Germaine de Stael

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The world can be possessed only by its possessing me, and this in turn is the way it possesses the person who has won the world, since one who possesses the world in any other way possesses it as the accidental, as something that can be diminished, increased, lost, won, without his possession being essentially changed. If, however, he possesses the world in such a way that the loss of it can diminish his possession, then he is possessed by the world. p. 164-165

 
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The creative action is not voluntary at all, but automatic; we can only put the mind into the proper attitude, and wait for the wind, that blows where it listeth, to breathe over it. Thus the true state of creative genius is allied to reverie, or dreaming.

 
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On the fourth level, he embodies the mind and becomes a mediator of creative and religious inner experiences, through which life acquires an individual meaning. At this stage he confers on a woman a spiritual and intellectual solidity that counterbalances her essentially soft nature. He can then act as a liaison connecting her with the spiritual life of the time. When this occurs, women are often more open to new, creative ideas than men. That is why in the past women were often used as mediums able to make knowledge of the future available to the world of the spirit. The creative courage in the truth conferred by the animus gives a woman the daring to enunciate new ideas that can inspire men to new enterprises. Often in history women have recognized the value of new creative ideas earlier than men, who are more emotionally conservative. The nature of woman is more closely related to the irrational, and this makes a woman better able to open to new inspirations from the unconscious. The very fact that women normally participate less in public life than men do makes it possible for their animus to act as a "hidden prince" in the darkness of private life and bring about beneficial results.

 
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The ordinary man casts a shadow. In a way we do not quite understand, the man of genius casts light. Instinctively, we flinch from this light. We assure ourselves that genius must pay a terrible price. Often history bears us out: the creator, the supreme artist, the master of politics carries the scars of his greatness.

 
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Freedom is necessary for two reasons. It's necessary for the individual, because the individual, no matter how good the society is, every individual has hopes, fears, ambitions, creative urges, that transcend the purposes of his society. Therefore we have a long history of freedom, where people try to extricate themselves from tyranny for the sake of art, for the sake of science, for the sake of religion, for the sake of the conscience of the individual — this freedom is necessary for the individual.

 
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