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Allan Kaprow

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...the problem with artlike art, or even doses of artlike art that still linger in lifelike art, is that it overemphasizes the discourse within art...
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Journal of Contemporary Art, Inc. accessed 2008-04-28

 
Allan Kaprow

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I’ve noticed, the wealthy part of my audience is unable to take in classical Romance for more than 40 minutes, one hour for them is maximum. The Art is to be apportioned for them in small doses. Like vitamins which are good for you in tiny portions but could be poisonous when taken in a bulk. Intelligentsia is prepared for such vitamins, while nouve riches are not. They have to begin with homeopathic doses.

 
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As soon as we cease to believe in such an engineer and in a discourse which breaks with the received historical discourse, and as soon as we admit that every finite discourse is bound by a certain bricolage and that the engineer and the scientist are also species of bricoleurs, then the very idea of bricolage is menaced and the difference in which it took on its meaning breaks down.

 
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It's our tendency to approach every problem as if it were a fight between two sides. We see it in headlines that are always using metaphors for war. It's a general atmosphere of animosity and contention that has taken over our public discourse.

 
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It does not matter that Dicken's world is not lifelike; it is alive.

 
Charles Dickens
 

The answer is in the problem, not away from the problem. I go through the searching, analysing, dissecting process, in order to escape from the problem. But, if I do not escape from the problem and try to look at the problem without any fear or anxiety, if I merely look at the problem — mathematical, political, religious, or any other — and not look to an answer, then the problem will begin to tell me. Surely, this is what happens. We go through this process and eventually throw it aside because there is no way out of it. So, why can’t we start right from the beginning, that is, not seek an answer to a problem? — which is extremely arduous, isn’t it? Because, the more I understand the problem, the more significance there is in it. To understand, I must approach it quietly, not impose on the problem my ideas, my feelings of like and dislike. Then the problem will reveal its significance. Why is it not possible to have tranquillity of the mind right from the beginning?

 
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