?schylus is above all things the poet of righteousness. "But in any wise, I say unto thee, revere thou the altar of righteousness": this is the crowning admonition of his doctrine, as its crowning prospect is the reconciliation or atonement of the principle of retribution with the principle of redemption, of the powers of the mystery of darkness with the coeternal forces of the spirit of wisdom, of the lord of inspiration and of light.
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Algernon Charles Swinburne in The Age of Shakespeare (1908)Aeschylus
?schylus is above all things the poet of righteousness. "But in any wise, I say unto thee, revere thou the altar of righteousness": this is the crowning admonition of his doctrine, as its crowning prospect is the reconciliation or atonement of the principle of retribution with the principle of redemption, of the powers of the mystery of darkness with the coeternal forces of the spirit of wisdom, of the lord of inspiration and of light. The doctrine of Shakespeare, where it is not vaguer, is darker in its implication of injustice, in its acceptance of accident, than the impression of the doctrine of ?schylus. Fate, irreversible and inscrutable, is the only force of which we feel the impact, of which we trace the sign, in the upshot of Othello or King Lear. The last step into the darkness remained to be taken by "the most tragic" of all English poets. With Shakespeare — and assuredly not with ?schylus — righteousness itself seems subject and subordinate to the masterdom of fate: but fate itself, in the tragic world of Webster, seems merely the servant or the synonym of chance.
William Shakespeare
?schylus is above all things the poet of righteousness. "But in any wise, I say unto thee, revere thou the altar of righteousness": this is the crowning admonition of his doctrine, as its crowning prospect is the reconciliation or atonement of the principle of retribution with the principle of redemption, of the powers of the mystery of darkness with the coeternal forces of the spirit of wisdom, of the lord of inspiration and of light. The doctrine of Shakespeare, where it is not vaguer, is darker in its implication of injustice, in its acceptance of accident, than the impression of the doctrine of ?schylus. Fate, irreversible and inscrutable, is the only force of which we feel the impact, of which we trace the sign, in the upshot of Othello or King Lear. The last step into the darkness remained to be taken by "the most tragic" of all English poets. With Shakespeare — and assuredly not with ?schylus — righteousness itself seems subject and subordinate to the masterdom of fate: but fate itself, in the tragic world of Webster, seems merely the servant or the synonym of chance. The two chief agents in his two great tragedies pass away — the phrase was, perhaps, unconsciously repeated — "in a mist": perplexed, indomitable, defiant of hope and fear bitter and sceptical and bloody in penitence or impenitence alike. And the mist which encompasses the departing spirits of these moody and mocking men of blood seems equally to involve the lives of their chastisers and their victims. Blind accident and blundering mishap — "such a mistake", says one of the criminals, "as I have often seen in a play" — are the steersmen of their fortunes and the doomsmen of their deeds. The effect of this method or the result of this view, whether adopted for dramatic objects or ingrained in the writer's temperament, is equally fit for pure tragedy and unfit for any form of drama not purely tragic in evolution and event.
Algernon Charles Swinburne
Abel was righteous & Noah was a preacher of righteousness & by his righteousness he was saved from the flood. Christ is called the righteous & by his righteousness we are saved & except our righteousness exceed the righteousness of the Scribes and Pharisees we shall not enter into the kingdome of heaven. Righteousness is the religion of the kingdom of heaven & even the property of God himself towards man. Righteousness & Love are inseparable for he that loveth another hath fulfilled the law.
Isaac Newton
To hate injustice and stand on righteousness is a difficult thing. Furthermore, to think that being righteous is the best one can do and to do one's utmost to be righteous will, on the contrary, bring many mistakes. The Way is in a higher place than righteousness. This is very difficult to discover, but it is the highest wisdom. When seen from this standpoint, things like righteousness are rather shallow. If one does not understand this on his own, it cannot be known. There is a method of getting to this Way, however, even if one cannot discover it by himself. This is found in consultation with others. Even a person who has not attained this Way sees others from the side. It is like the saying from the game of go: "He who sees from the side has eight eyes." The saying, "Thought by thought we see our own mistakes," also means that the highest Way is in discussion with others.
Yamamoto Tsunetomo
It is not unreasonable to assume that the works of God, their existence and preceding non-existence, are the result of His wisdom, but we are unable to understand many of the ways of His Wisdom in His works. On this principle the whole Law of Moses is based; it begins with this principle: "And God saw all that He had made, and behold, it was very good" (Gen. i. 31); and it ends with this principle: "The Rock, perfect is His work" (Deut. xxxii. 4). Note it.
Maimonides
Aeschylus
Aesop Rock
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