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After doing the imaginary landscapes until say 1956, in ’57 I came out with the first Burst painting... There was a different type of space than I had ever used and it was a further clarification of what I was trying to do. The thing that was interesting that it was a return to a focal point, but it was a focal point with the kind of space that existed in traditional painting. Because this was like a solitary image or two images that were just floating in the canvas space. They had to hold the space and they also had to create all the movement – that took place within the rectangle.
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p. 55-59

 

Adolph Gottlieb

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Space expands or contracts in the tensions and functions through which it exists. Space is not a static, inert thing. Space is alive; space is dynamic; space is imbued with movement expressed by forces and counterforces; space vibrates and resounds with color, light and form in the rhythm of life.

 

Hans Hofmann

 

What greatly attracted me – and it was the main line of advance of Cubism – was how to give material expression to this new space of which I had an inkling. So I began to paint chiefly still life’s, because in nature there is a tactile, I would almost say a manual space. I wrote about this moreover ‘When a still-life is no longer within reach, it ceases to be a still-life.. ..For me that expressed the desire I have always had to touch a thing, not just to look at it. It was that space that attracted me strongly, for that was the earliest Cubist painting – the quest for space.

 

Georges Braque

 

There are landscapes in which we feel above us not sky but space. Something larger, deeper than sky is sensed, is seen, although in such settings the sky is invariably immense. There is a place between the cerebrum and the stars where sky stops and space commenses, and should we find ourselves on a particular prairie or mountaintop at a particular hour [...] our relationship with sky thins and loosens while our connection with space becomes as solid as bone.

 

Tom Robbins

 

I frequently leave areas of raw, unprimed canvas unpainted (as in her painting Chairman of the Board, 1971, fh… …That ‘negative’ space has just as active a role as the ‘positive’ painted space. The negative spaces maintain shapes of their own and are not empty.

 

Helen Frankenthaler

 

Then the theory of relativity came and explained the cause of the failure. Electric action requires time to travel from one point of space to another, the simplest instance of this being the finite speed of travel of light... Thus electromagnetic action may be said to travel through space and time jointly. But by filling space and space alone [excluding time] with an ether, the pictorial representations had all supposed a clear-cut distinction between space and time.

 

James Jeans