Yquotes.com

 

In this sad world of ours, sorrow comes to all; and, to the young, it comes with bitterest agony, because it takes them unawares. The older have learned to ever expect it. I am anxious to afford some alleviation of your present distress. Perfect relief is not possible, except with time. You can not now realize that you will ever feel better. Is not this so? And yet it is a mistake. You are sure to be happy again. To know this, which is certainly true, will make you some less miserable now. I have had experience enough to know what I say; and you need only to believe it, to feel better at once.
--
Letter to Fanny McCullough (23 December 1862); Source: Collected Works of Abraham Lincoln, edited by Roy P. Basler.

 

Abraham Lincoln

» Abraham Lincoln - all quotes »

Similar quotes

 

The boy felt now that no injustice could ever be victorious in his life in the future. He would never forget this presence, and even though he might never live to see another happy day, he was now more than ever determined to make his life an unbroken echo of what he had perceived when he was young, and to teach other men in poetry what he had learned in sorrow . . . . It was certainly true—this boy had perhaps become a little disappointed in people, he had instinctively believed that people were more perfect than they actually are; in childhood, one cannot help believing this.

 

Halldor Laxness

 

One thing I am convinced more and more is true and that is this: the only way to be truly happy is to make others happy. When you realize that and take advantage of the fact, everything is made perfect.

 

William Carlos Williams

 

You really feel very happy for him. He acted like a little kid. He just hit it, and you could feel the relief he felt. From now on, I'm telling you, he might get into the place he was early in the season, where he becomes very, very dangerous.

 

Manny Ramirez

 

... anxiety is a reflection, and in this respect is essentially different than sorrow. Anxiety is the organ by which the subject appropriates sorrow and assimilates it. Anxiety is the energy of the movement by which sorrow bores its way into one’s heart. But the movement is not swift like the thrust of a dart, it is successive; it is not once for all, but it is constantly continuing. As a passionate, erotic glance desires its object, so anxiety looks upon sorrow to desire it. As the quiet, incorruptible glance of love is preoccupied with the beloved object, so anxiety occupies itself with sorrow. But anxiety has another element in it which makes it cling even more strongly to its object, for it both loves it and fears it. Anxiety has a two-fold function. Partly it is the detective instinct which constantly touches, and by means of this probing, discovers sorrow, as it goes round about the sorrow. Or anxiety is sudden, posits the whole sorrow in the present moment, yet so that this present moment instantly dissolves in succession. Anxiety is in this sense a truly tragic category, and the old saying: quem deus vult perdere, primum dementat, (whom God wishes to destroy, he first makes insane) in truth rightly applies here. That anxiety is determined by reflection is shown by our use of words; for I always say: to be anxious about something, by which I separate the anxiety from that about which I am anxious, and I can never use anxiety in an objective sense; whereas, on the contrary, when I say “my sorrow,” it can just as well express that which I sorrow over, as my sorrow over it. In addition, anxiety always involves a reflection upon time, for I cannot be anxious about the present, but only about the future; but the past and the future, so resisting one another that the present vanishes, are reflective determinations.

 

Soren Aabye Kierkegaard

 

Daisy was a consciously happy young woman without any of the usual endowments that make for conscious happiness, money apart. She was not pretty, she was not clever, she had no friends, no talents, nor even an imagination to make her think she was happy when she was really miserable. As she was never miserable, she had no need of an imagination.

 

Laura Riding