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Zulfikar Ali Bhutto

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What I write is full of infirmities. I have been in solitary confinement for twelve months and in a death cell for three months, deprived of all facilities. I have written much of this by resting the paper on my thigh in unbearable heat. I have no reference material or library, I have rarely seen the blue sky. The quotations are from the few books I was permitted to read and from the journals and newspapers you and your mother bring once a week during your visits to my suffocating cell. I am not making excuses for my deficiencies but it is very difficult to rely on a fading memory in such physical and mental conditions.
I am fifty years old and you are exactly half my age. By the time you reach my age, you must accomplish twice as much as I have achieved for the people.
--
p. 82

 
Zulfikar Ali Bhutto

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I am partial to the pantheism of Shelley. There is beauty everywhere. Even in a total war of annihiliation it will not be possible to wipe out all of it. Beauty is too beautiful to perish altogether. In this period of twelve months in solitary confinement I have rarely recalled an unpleasant or ugly glimpse of the past.

 
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If a single cell, under appropriate conditions, becomes a man in the space of a few years, there can surely be no difficulty in understanding how, under appropriate conditions, a cell may, in the course of untold millions of years, give origin to the human race.

 
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Sometimes it is hard to criticize, one wants only to chronicle. The good and mediocre books come in from week to week, and I put them aside and read them and think of what to say; but the "worthless" books come in day after day, like the cries and truck sounds from the street, and there is nothing that anyone could think of that is good enough for them. In the bad type of thin pamphlets, in hand-set lines on imported paper, people's hard lives and hopeless ambitions have expressed themselves more directly and heartbreakingly than they have ever expressed in any work of art: it is as if the writers had sent you their ripped-out arms and legs, with "This is a poem" scrawled on them in lipstick. After a while one is embarrassed not so much for them as for poetry, which is for these poor poets one more of the openings against which everyone in the end beats his brains out; and one finds it unbearable that poetry should be so hard to write — a game of Pin the Tail on the Donkey in which there is for most of the players no tail, no donkey, not even a booby prize.

 
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