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Both these men are in love with Natasha, Count Rostov's younger daughter, and in her Tolstoy has created the most delightful girl in fiction. Nothing is so difficult as to portray a young girl who is at once charming and interesting. Generally the young girls of fiction are colorless (Amelia in Vanity Fair), priggish (Fanny in Mansfield Park), too clever by half (Constantia Durham in The Egoist), or little geese (Dora in David Copperfield), silly flirts or innocent beyound belief. It is understandable that they should be an awkward subject for the novelist to deal with, for at that tender age the personality is undeveloped. Similarly a painter can only make a face interesting when the vicissitudes of life, thought, love and suffering have given it character. In the portrait of a girl the best he can do is to represent the charm and beauty of youth. But Natasha is entirely natural. She is sweet, sensitive, and sympathetic, willful, childish, womanly already, idealistic, quick-tempered, warm-hearted, headstrong, capricious and in everything enchanting. Tolstoy created many women and they are wonderfully true to life, but never another who wins the affection of the reader as does Natasha.
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Leo Tolstoy and War and Peace

 

William Somerset Maugham

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Alan Stock: What do you say, then, to a young girl—I am going to place it as he said it—when a young girl is raped by her father, let's say, and she is pregnant. How do you explain this to her in terms of wanting her to go through the process of having the baby?
Sharron Angle: I think that two wrongs don't make a right. And I have been in the situation of counseling young girls, not 13 but 15, who have had very at risk, difficult pregnancies. And my counsel was to look for some alternatives, which they did. And they found that they had made what was really a lemon situation into lemonade.

 

Sharron Angle

 

If I were a young man
And young was my Lily,
A smart girl, a bold young man,
Both of us silly.
And though from time before I knew
She'd stab me with pain,
Though well I knew she'd not be true,
I'd love her again.

 

Robert Graves

 

This extremely interesting girl, after giving me a single glance from her beautiful eyes, stubbornly refused to look at me again. My vanity at once made me think that it was only so that I would be at full liberty to study her impeccable beauty. It was on this girl that I instantly set my sights, as if all Europe were only a seraglio provided for my pleasures.

 

Giacomo (Jacques Casanova de Seingal) Casanova

 

In fiction, Bourget carries realistic observation beyond the externals (which fixed the attention of Zola and Maupassant) to states of the mind: he unites the method of Stendhal to that of Balzac. He is always interesting and amusing. He takes himself seriously and persists in regarding the art of writing fiction as a science. He has wit, humor, charm, and lightness of touch, and ardently strives after philosophy and intellectuality — qualities that are rarely found in fiction. It may well be said of M. Bourget that he is innocent of the creation of a single stupid character. The men and women we read of in Bourget's novels are so intellectual that their wills never interfere with their hearts.

 

Paul Bourget

 

If I were to imagine a girl deeply in love and some man who wanted to use all his reasoning powers and knowledge to ridicule her passion, well, there's surely no question of the enamoured girl having to choose between keeping her wealth and being ridiculed. No, but if some extremely cool and calculating man calmly told the young girl, "I will explain to you what love is," and the girl admitted that everything he told her was quite correct, I wonder if she wouldn't choose his miserable common sense rather than her wealth?

 

Soren Aabye Kierkegaard