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At dinner we talked of Newman, whose Dream of Gerontius Gladstone puts very high, so high that he speaks of it in the same breath with the Divina Commedia. At length he asked, "Which of his writings will be read in a hundred years?" "Well," said Henry Smith, "certainly his hymn, 'Lead kindly Light,' and 'The Parting of Friends,' the sermon he preached before leaving Littlemore." "I go further," said Gladstone. "I think all his parochial sermons will be read."
--
Sir Mountstuart Elphinstone Grant Duff, in Notes from a Diary, 1851-1901: 1873-1881 (1898), p. 140.

 

William Ewart Gladstone

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"Do you know how long a year takes when it's going away?" Dunbar repeated to Clevinger. "This long." He snapped his fingers. "A second ago you were stepping into college with your lungs full of fresh air. Today you're an old man."
"Old?" asked Clevinger with surprise. "What are you talking about?"
"Old."
"I'm not old."
"You're inches away from death every time you go on a mission. How much older can you be at your age? A half minute before that you were stepping into high school, and an unhooked brassiere was as close as you ever hoped to get to Paradise. Only a fifth of a second before that you were a small kid with a ten-week summer vacation that lasted a hundred thousand years and still ended too soon. Zip! They go rocketing by so fast. How the hell else are you ever going to slow down?" Dunbar was almost angry when he finished.
"Well, maybe it is true," Clevinger conceded unwillingly in a subdued tone. "Maybe a long life does have to be filled with many unpleasant conditions if it's to seem long. But in that event, who wants one?"
"I do," Dunbar told him.
"Why?" Clevinger asked.
"What else is there?"

 

Joseph Heller

 

Elvis' lowest effective note was a low-G, as heard on "He'll Have To Go" (1976); on "King Creole" (1958), he growls some low-F's; going up, his highest full-voiced notes were the high-B's in "Surrender" (1961) and "Merry Christmas Baby" (1971), the high-G at the end of "My Way" (1976 live version), and the high-A of "An American Trilogy" (1972); using falsetto, Elvis could reach at least a high-E, e.g, as in "Unchained Melody" (1977), so, it was very nearly a three-octave range, although more practically two-and-a-half.

 

Elvis Presley

 

All reading, in truth, is reading in a content area. To read the phrase "the law of diminishing returns" or "the law of supply and demand" requires that you know how the word "law" is used in economics, for it does not mean what it does in the phrase "the law of inertia" (physics) or "Grimm's law" (linguistics) or "the law of the land" (political science) or "the law of survival of the fittest" (biology). To the question, "What does 'law' mean?" the answer must always be, "In what context?"

 

Neil Postman

 

He said "I'll punch your head!" I said "Whose?" He said "Yours!"
I said "Mine?" He said "Yes!" I said "Oh?"
He said "Want a fight?" I said "Who?" He said "You!"
I said "Me?" He said "Yes!" I said "No!"
So we then came to words, he said "You're a cad!"
I said "Cad?" He said "Yes!" I said "Who?"
He said "Who?" I said "Yes." He said "You!" I said "Oh!"
So of course then I knew.

 

Robb Wilton