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The ancient poets animated all objects with Gods or Geniuses, calling them by the names and adorning them with the properties of woods, rivers, mountains, lakes, cities, nations, and whatever their enlarged & numerous senses could perceive. And particularly they studied the genius of each city & country, placing it under its mental deity; Till a system was formed, which some took advantage of, & enslav'd the vulgar by attempting to realize or abstract the mental deities from their objects: thus began priesthood; Choosing forms of worship from poetic tales. And at length they pronounc'd that the Gods had order'd such things. Thus men forgot that all deities reside in the human breast.
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William Blake

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Who then is the Mother of the Gods? She is the Source of the Intelligible and Creative Powers, which direct the visible ones; she that gave birth to and copulated with the mighty Jupiter: she that exists as a great goddess next to the Great One, and in union with the Great Creator; she that is dispenser of all life; cause of all birth; most easily accomplishing all that is made; generating without passion; creating all that exists in concert with the Father; herself a virgin, without mother, sharing the throne of Jupiter, the mother in very truth of all the gods; for by receiving within herself the causes of all the intelligible deities that be above the world, she became the source to things the objects of intellect.

 

Julian (Emperor)

 

Of myths some are theological, some physical, some psychic, and again some material, and some mixed from these last two. The theological are those myths which use no bodily form but contemplate the very essence of the Gods: e.g., Kronos swallowing his children. Since god is intellectual, and all intellect returns into itself, this myth expresses in allegory the essence of god.
Myths may be regarded physically when they express the activities of the Gods in the world: e.g., people before now have regarded Kronos as time, and calling the divisions of time his sons say that the sons are swallowed by the father.
The psychic way is to regard the activities of the soul itself; the soul's acts of thought, though they pass on to other objects, nevertheless remain inside their begetters.
The material and last is that which the Egyptians have mostly used, owing to their ignorance, believing material objects actually to be Gods, and so calling them: e.g., they call the earth Isis, moisture Osiris, heat Typhon, or again, water Kronos, the fruits of the earth Adonis, and wine Dionysus.
To say that these objects are sacred to the Gods, like various herbs and stones and animals, is possible to sensible men, but to say that they are Gods is the notion of madmen — except, perhaps, in the sense in which both the orb of the sun and the ray which comes from the orb are colloquially called "the sun".

 

Sallustius (or Sallust)

 

Let nobody suppose me to say that all these things were done and happened formerly without the gods themselves knowing what they meant to do; or as though they were chastising their own faults. The causes of things that be, the ancients (whether with the gods to guide them, or discovering them by their unassisted efforts, but better to say seeking them out under the guidance of the gods), when they had discovered them, wrapped up the same in strange fables, in order that the fiction, being detected through its own extravagance and obscurity, might draw us on to the investigation of the Truth. For the vulgar, incapable of reasoning, derive sufficient benefit from what is conveyed by means of symbols; whilst to those of superior intellect, the truth respecting the gods will then only be serviceable, when they through diligent research shall find it out and lay hold thereof: whilst they are reminded by means of dark legends that it is their duty to inquire; and that they may advance to the end, as to the summit of the thing, after they have discerned it by means of such research; not so much out of respect and confidence in the judgment of others, as in the exertion of one's own understanding upon other objects.

 

Julian (Emperor)

 

Shakespeare, no mere child of nature ; no automaton of genius; no passive vehicle of inspiration possessed by the spirit, not possessing it; first studied patiently, meditated deeply, understood minutely, till knowledge became habitual and intuitive, wedded itself to his habitual feelings, and at length gave birth to that stupendous power by which he stands alone, with no equal or second in his own class ; to that power which seated him on one of the two glorysmitten summits of the poetic mountain, with Milton ?s his compeer, not rival. While the former darts himself forth, and passes into all the forms of human character and passion, the one Proteus of the fire and the flood ; the other attracts all forms and things to himself, into the unity of his own Ideal. All things and modes of action shape themselves anew in the being of Milton; while Shakspeare becomes all things, yet for ever remaining himself.

 

Samuel Taylor Coleridge

 

Zeus, n. The chief of Grecian gods, adored by the Romans as Jupiter and by the modern Americans as God, Gold, Mob and Dog. Some explorers who have touched upon the shores of America, and one who professes to have penetrated a considerable distance to the interior, have thought that these four names stand for as many distinct deities, but in his monumental work on Surviving Faiths, Frumpp insists that the natives are monotheists, each having no other god than himself, whom he worships under many sacred names.

 

Ambrose Bierce