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I think when a man first discovers that two and two is four, there is 'beauty' in that; and we can see why. But if people stand and look at the moon and one says 'I think it’s just beautiful tonight' and the other says 'The moon makes me feel awful' we are both 'clear'. A geometric shape – we know why we like it; and an unreasonable shape; it has a certain mystery that we recognise as real; but it is difficult to put these things in an objective way. (remark in the Artists' Session at Studio 35, 1950, fh)
--
Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 221

 

William Baziotes

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Although the semicircle of the Moon is placed above the circle of the Sun and would appear to be superior, nevertheless we know that the Sun is ruler and King. We see that the Moon in her shape and her proximity rivals the Sun with her grandeur, which is apparent to ordinary men, yet the face, or a semi-sphere of the Moon, always reflects the light of the Sun.

 

John Dee

 

Tonight the sky was utterly black. Perhaps there was no moon tonight — a lunar eclipse, a new moon.
A new moon. I shivered, though I wasn't cold.

 

Stephenie Meyer

 

I have fled in the shape of a raven of prophetic speech,
in the shape of a satirizing fox,
in the shape of a sure swift,
in the shape of a squirrel vainly hiding.
I have fled in the shape of a red deer,
in the shape of iron in a fierce fire,
in the shape of a sword sowing death and disaster,
in the shape of a bull, relentlessly struggling.

 

Taliesin

 

"My take on what happened with the moon landing was [......] they suspect [sic] that on impact that the cameras would be damaged because back in 1969 cameras weren't, you know, like they are today, as good. So they had a studio set up at CBS to mimic the moon landing. And sure enough the cameras broke and so they flipped, you know, the CBS studio on. And what you saw of the footage of the '69 moon landing was actually at CBS studio."

 

Kent Hovind

 

In the east the moon was rising, a full moon that lighted the landscape so that he could see every little clump of bushes, every grove of trees. And as he stood there, he realized with a sudden start that the moon was full again, that it was always full, it rose with the setting of the sun and set just before the sun came up, and it was always a great pumpkin of a moon, an eternal harvest moon shining on an eternal autumn world.
The realization that this was so all at once seemed shocking. How was it that he had never noticed this before? Certainly he had been here long enough, had watched the moon often enough to have noticed it. He had been here long enough — and how long had that been, a few weeks, a few months, a year? He found he did not know. He tried to figure back and there was no way to figure back. There were no temporal landmarks. Nothing ever happened to mark one day from the next. Time flowed so smoothly and so uneventfully that it might as well stand still.

 

Clifford D. Simak