I admit I know little of Orient art. But that is because I cannot find in it what I am looking for, or what I am talking about. To me the Oriental idea of beauty is that ‘it isn’t there’. It is in a state of nor being there. It is absent. That is why it is so good. It is the same thing I don’t like in Suprematism, Purism and non-objectivity... I do like the idea that they - the pots and pans (in the old still lives) , I mean – are always in relation to man. They have no soul of their own, like they seem to have in the Orient...
--
De Koonings lecture Trans/formation, at Studio 35, 1950Willem de Kooning
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The Orient that appears in Orientalism, then, is a system of representations framed by a whole set of forces that brought the Orient into Western learning, Western consciousness, and later, Western empire.… The Orient is the stage on which the whole East is confined. On this stage will appear the figures whose role it is to represent the larger whole from which they emenate. The Orient then seems to be, not an unlimited extension beyond the familiar European world, but rather a closed field, a theatrical stage affixed to Europe.
Edward Said
The good is the everlasting, the pinnacle of our life. ... life is striving towards the good, toward God. The good is the most basic idea ... an idea not definable by reason ... yet is the postulate from which all else follows. But the beautiful ... is just that which is pleasing. The idea of beauty is not an alignment to the good, but is its opposite, because for most part, the good aids in our victory over our predilections, while beauty is the motive of our predilections. The more we succumb to beauty, the further we are displaced from the good. ...the usual response is that there exists a moral and spiritual beauty ... we mean simply the good. Spiritual beauty or the good, generally not only does not coincide with the typical meaning of beauty, it is its opposite.
Leo Tolstoy
Hess was slightly off balance for as long as I can recall. Why the Fuhrer kept him on as head of the party was a mystery to most people, but to me I always felt it was Hitler's loyalty to his old friends. I remember Hess had a bright idea once in treating me for some neuralgia that I had at the time. It was in 1936 or so. Anyway, one day lots of pots and pans arrived of all different sizes. I didn't know what they were for. One was for soaking my arm, another my forearm, another size for my leg, my thing, and so on. I called him up and asked him what he had sent me so many pots for - did he think I wanted to start an aquarium? But Hess explained that I told him I had neuralgia and that this was the treatment for it. I thanked him over the telephone and laughed for days.
Rudolf Hess
My thanks also to some of the speakers on this platform who, referring to the delegates from the Orient, have told you that these men from far-off nations may well claim the honor of bearing to different lands the idea of toleration.
Swami Vivekananda
We do not, however, reckon that trade disadvantageous which consists in the exchange of the hard-ware of England for the wines of France;and yet hard-ware is a very durable commodity, and were it not for this continual exportation, might too be accumulated for ages together, to the incredible augmentation of the pots and pans of the country. But it readily occurs that the number of such utensils is in every country necessarily limited by the use which there is for them;that it would be absurd to have more pots and pans than were necessary for cooking the victuals usually consumed there;and that if the quantity of victuals were to increase, the number of pots and pans would readily increase along with it, apart of the increased quantity of victuals being employed in purchasing them, or in maintaining an additional number of workman whose business it was to make them.
Adam Smith
Kooning, Willem de
Koontz, Dean R.
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