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"And every time evening comes back..."
(from Ogni volta, 1982)

 

Vasco Rossi

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'...I wonder if you remember the story mummy read us the evening Sebastian first got drunk - I mean the bad evening. "Father Brown" said something like "I caught him" (the thief) "with an unseen hook and and invisible line which is long enough to let him wander to the ends of the world and still to bring him back with a twitch upon the thread."'

 

Evelyn Waugh

 

"This is not the first time I've charged a person before I've made the case." - Jim Garrison [James Phelan, Scandals, Scamps, and Scoundrels (New York: Random House, 1982), p. 155.]

 

Jim Garrison

 

"There isn't any room," said Joshua. "You travel back along the line of time and you don't find the past, but another world, another bracket of consciousness. The earth would be the same, you see, or almost the same. Same trees, same rivers, same hills, but it wouldn't be the world we know. Because it has lived a different life, it has developed differently. The second back of us is not the second back of us at all, but another second, a totally separate sector of time. We live in the same second all the time. We move along within the bracket of that second, that tiny bit of time that has been allotted to our particular world."

 

Clifford D. Simak

 

Kimiko: "I've been a klutz all evening. I don't know what's wrong with me."
Megumi: "That's easy. You're a little 'unbalanced'."
"Aaaaagh!!!! Oh my god how embarrassing! That does it! I'm not wearing these things anymore."
"Oh... you poor girl. You really do need them, don't you?"
"Don't be such a meanie..."

 

Fred Gallagher

 

In an interview which appeared in The Paris Review in 1982 the interviewers asked Travers whether "Mary Poppins' teaching — if one can call it that — resemble that of Christ in his parables". Travers replied:
"My Zen master, because I've studied Zen for a long time, told me that every one (and all the stories weren't written then) of the Mary Poppins stories is in essence a Zen story. And someone else, who is a bit of a Don Juan, told me that every one of the stories is a moment of tremendous sexual passion, because it begins with such tension and then it is reconciled and resolved in a way that is gloriously sensual".
The answer is clarified by the following question: "So people can read anything and everything into the stories?" "Indeed."

 

P. L. Travers