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Sometimes one’s very angry and preaches, but I know that to clinch a point is to close it. To leave the reader free to decide what your work means, that’s the real art; it makes the work inexhaustible.
--
"The magician" by Maya Jaggi in The Guardian (17 December 2005)

 

Ursula K. Le Guin

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You have to work from one point to go to another. So I admire work ethic, I think it should be re-inforced through out our neigbourhoods, that everybody should work hard, practice makes perfect, you have to be diligent with what you want, you have to apply your self, you have to motivate your self. You have to do for-self by your self, and then you can do things for other people. But that's what I had to do, I had to do for-self.

 

Tupac Shakur

 

Real Turkish unification is my dearest wish, and any international political arrangement which will leave me a free hand to work for that, I will subscribe to. Turkey contains a great many Christians as well as Mohammedans. The latter I would regenerate from within, not from without. The West has little that we need save battleships and shrapnels, and if it would leave us alone we would not need even these.

 

Ismail Enver

 

Socrates said that manual laborers make bad friends and bad citizens because they have no time to fulfill the responsibilities of friendship and citizenship. He was right. Because of work, no matter what we do we keep looking at our watches. The only thing "free" about so-called free time is that it doesn't cost the boss anything. Free time is mostly devoted to getting ready for work, going to work, returning from work, and recovering from work. Free time is a euphemism for the peculiar way labor as a factor of production not only transports itself at its own expense to and from the workplace but assumes primary responsibility for its own maintenance and repair. Coal and steel don't do that. Lathes and typewriters don't do that. But workers do.

 

Bob Black

 

Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.

 

Susan Sontag

 

The creation of a poem, or mathematical creation, involves so much sense of arrival, so much selection, so much of the desire that makes choice — even though one or more of these may operate in the unconscious or partly conscious work-periods before the actual work is achieved — that the questions raised are very pertinent. . . . The poet chooses and selects and has that sense of arrival as the poem ends; he is expressing what it feels like to arrive at his meanings. If he has expressed that well, his reader will arrive at his meanings. The degree of appropriateness of expression depends on the preparing. By preparing I mean allowing the reader to feel the interdependences, the relations, within the poem.
These inter-dependences may be proved, if you will allow the term, in one or more ways: the music by which the syllables resolve may lead to a new theme, as in a verbal music, or to a climax, a key-relationship which makes — for the moment — an equilibrium; the images may have established their own progression in such a way that they serve to mark the poem’s development; the tensions and attractions between the poem’s meanings may mark its growth, as they must if the poem is to achieve its form.
A poem is an imaginary work, living in time, indicated in language. It is and it expresses; it allows us to express.

 

Muriel Rukeyser