I turned down $2 million for this script. There's absolutely no way that had I filmed the script through a major studio they would have done anything but f**k this movie up. They would have cut all the balls off the comedy, they would have put Seth Rogen and Dane Cook in it, they would have changed Tucker to make him fall in love, and all this stupid shit that would have driven me up a f**king wall.
--
Quoted in Will Sloan, "Maxed Out", theVARSITY.ca (November 2009)Tucker Max
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal--an illusion--since it rests upon paper. The wise person looks upon both paper and script as one.
Ramana Maharshi
I was approached to do a film script for the Beatles. I said it would have to be an absolutely original script. Paul McCartney said do whatever you like. I said that means you'll never be able to do it.
Joe Orton
Kubrick wasn’t making a movie when I was working with him. He was preparing to make a movie, which is something quite different. Part of the charm of working with a director like Kubrick, if there is or was a director like him, was that during the privileged period before he even showed (the script) to the studio, it was just between him and me. You are sort of creating a game in the ball court of theory. There is no film being shot; there is no budget. It was in many ways a very exciting time. It’s also very fraught, particularly for a writer, because you don’t know if it’s going to be of any point.
Frederic Raphael
Max, Tucker
Maxwell, James Clerk
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