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Stephanie Zacharek

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It's a movie barely fit for a cretin, much less a King. ... If you hear a door slam in the theater, you'll know that Elvis has left the building -- in disgust.
--
Review of 3000 Miles to Graceland (2001)

 
Stephanie Zacharek

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In the mid-60s, when Elvis was making those godawful movies and my friends and I were buying albums by the Stones and the Yardbirds, a mate and I would always go to see Elvis on the big screen; we knew the formula and always used to laugh about them afterwards, but what I also remember is what used to happen in the cinema: not long after the opening credits the audience would start talking and laughing through the dialogue - but the second Elvis sang everyone would stop and listen; Elvis’ voice had that effect, even when he was considered as a joke by a generation grown up on tougher music and rock musicians who seemed much more rebellious, dangerous and innovative; so, for me, it has always been about the music and even when he was all but lost to us, in those final years, you can still hear that raw passion flare up; and I defy anyone, knowing that he had just separated from his wife and was heartbroken, to listen to "Always on my Mind" and "Fool", and not be moved; you can hear a man whose heart is breaking; listening to the best of his music, whether it be raw rock’n’roll or those genuinely heart aching ballads, confirms for me that Elvis has never left the building.

 
Elvis Presley
 

It's the kind of movie home video was invented for: Not worth the trip to the theater, but slam it into the VCR and you get your rental's worth.

 
Roger Ebert
 

"religion is the artifice, you know, the building, after God has left it sometimes, like Elvis has left the building. You hold onto religion, you know, rules, regulations, traditions. I think what God is interested in is people's hearts, and that's hard enough."

 
Bono
 

And ladies and gentlemen, Elvis has just left the building!

 
Mike Lange
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