I have always been drawn to the beauty and the tragedy of Diana’s life which I hope I’ve captured in this new series of paintings. I wanted to show her
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Kallaway, Stella Vine's Latest Exhibition Modern Art Oxford, (2007-07-14).
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On her connection to Diana, Princess of Wales.Stella Vine
It's back in the news now, the Princess Diana Memorial Fountain. People going, "Oh, it's great! It's what she would have wanted. It's a place where families can hang out, children can play. It’s what Princess Diana would have wanted." It isn't! What Princess Diana would have wanted would have been to have not been killed. And then in death, not to have become the unwitting receptacle of the hysterical overemotional shrieking grief of twats.
Stewart Lee
With the black ones I was interested in getting complexity without their revealing much – in the fact that there was much to see but not much showing. I wanted to show a painting that could have the dignity of not calling attention to itself. In both the blacks and the whites (paintings, fh) there was none of the familiar aggressiveness of art that says, ‘Well, here it is, whether you like it or not’. (on his Black Paintings', fh)
Robert Rauschenberg
I was making very aggressive provocative paintings. Whether the Rachel paintings, or the Diana paintings, I've sensed over the three or four years that I've been in getting press attention, I've sensed that it has not been that long since the woman painter was not allowed in the Royal Academy, and not allowed to paint nude men, and thee is such a huge body of work that men have made, versus the small body of work made by women, that I am not surprised to get this response.
Stella Vine
Tragedy occurs when a human soul awakes and seeks, in suffering and pain, to free itself from crime, violence, infamy, even at the cost of life. The struggle is the tragedy - not defeat or death. That is why the spectacle of tragedy has always filled men, not with despair, but with a sense of hope and exaltation. (pp. 4-5)
Whittaker Chambers
I'm now in a big working period, which takes me up so much that hardly anything of me remains. I have never been strong in theories and this becomes worse and worse. My work should give me satisfaction, and that is about life and death.. .. Several paintings full of life and beauty arose again and give me the courage and joy to proceed on the road. There are also several paintings in which I am involved for less than half, discharges in a short time, which have existence for a while, but will not reach shaping.
Bram van Velde
Vine, Stella
Vinet, Alexandre
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