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The message I got from my record label at the time — and this was on purpose — was that I wasn't selling enough. Even when the single was a hit, it wasn't enough of a hit — I never got to number 1; I only got to number 5. And MTV didn't like the first video for the song, and we had to do another one. So I never felt anything except how bad I was and like, "Oh, shame on you!"
--
Interviewed by Cathay Che, The Advocate (8 May 2001)

 

Sophie B. Hawkins

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"Tighter and Tighter" was actually written around the same time as "Black Hole Sun." In fact, I did a demo with four songs on it to play for the band. "Black Hole Sun," "Sounds Like Days," "Tighter and Tighter" and a song called "Anxious." We blew off "Anxious" entirely and recorded "Tighter and Tighter" for the last record. It was the last song we did. It was number 16 and we ran out of studio time. We had the rhythm tracks done and it was just needing vocals and my guitar solos. We just ran out of time. It was falling flat anyway. I changed the arrangement a little bit.

 

Chris Cornell

 

This annoyed me: I was on the phone with somebody today tryin to get a phone number from that person and write it down, but they didn't have phone number rhythm and that pissed me off. You know what I'm talkin about? Phone number rhythm. Especially if there's like an area code involved, like 'two one two - bum bum buh - bum buh bum buh!' That is the rhythm I think we're all familiar with. This guy had no clue! I was like "Okay, Hank. Gimme the number." He's like "Alright. It's two one two nine - fifteen eight eleven six [mumbling incoherently] fou.. tw.. five.. eight.. seven.. two." "Did you throw in your zip code? Cause I got a lot of extra numbers over here. I have extra. I can almost start a new number! What do ya got?! Start again from the top!" They really screw you up on the last four numbers. That's where they get ya. "Five five five - six.. teen forty one" "Dude, I already wrote the six! I made the dash too close, I can't shimmy the one in there now! Forget you!"

 

Kevin James

 

Spike Jonze: "I met her right before she put out her first record, in 2005, and she insisted she wasn't a musician. To this day, she doesn't consider herself a musician. She has this wide range of talents and influences — she's a Sri Lankan refugee who didn't speak a word of English before she was 10, yet she's also a child of Chuck D and the Pixies and Fight Club and MySpace. There are no borders for her. She made me realize that you don't have to be from the West to have a favorite Biggie song. We are all listening to the same music. Last summer she was performing in Philadelphia, and she showed up at the venue, and it was an armory building. She felt kind of weird about it and decided she wasn't going to perform there unless she acknowledged that, so she found a group of Army veterans against the Iraq war and had them come and speak as her opening act. That's her mission — it's personal and evolving, focused but totally spontaneous. She's always for the underdog. And no matter how many times she's on the Grammys, she'll always see herself as the underdog."

 

M.I.A.

 

I went "0-7..." and he actually went "Slow down!" So I went "0..." and he went "0-7-0..." "No! 0-7..." "0-7-0-0-7..." "No! 0...7..." "0-7-0-0-7-0-7" "Start again!" "How's Susan?" "Not the conversation, the number! That's not my number!" "Giving me a fake number?! Don't you want me to call?!" "No, no...!" Anyway, he hasn't called.

 

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Did my mother know … Of course she did — and she didn't mind a bit. They had an incredibly happy marriage, but my father wasn't faithful to her for a single second.
There was scarcely a trace of jealousy in her character. She worshipped the ground he walked on, but she wasn't very highly sexed — she was quite glad that other women were taking the weight off her, as it were. I once asked her if she minded. She said: "They were the flowers, but I was the tree."

 

Diana (Lady Diana Manners) Cooper