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Simone Bittencourt de Oliveira

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``I am specially moved by her performance on the stage. She has an enormous capacity of expressing hersel´´
--
Marieta Severo

 
Simone Bittencourt de Oliveira

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Carley: I was wondering if there are any pre performance habits that you have before you go on stage.

 
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The psychedelic community has not yet recognized or named itself as a community. We are well behind gays and black people and all those other mi-...we are still trying to figure out if we are a community. And if we are a community, and we have a domain of action, I think where it lies - it's not that we are all supposed to become dope dealers, it's that we are all supposed to become artists; that the transformation of culture through art is the proper understanding of what you can do with psychedelics besides blow your own mind. And I really think, you know, what we need to do is put the art-pedal to the floor, and understand that this is art - we are involved in some kind of enormous piece of performance art called Western civilization and, you know, it's been a C-minus performance so far... And they are just about to reach out with the hook and drag us offstage, unless we begin pulling rabbits out of the hat pretty furiously.

 
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I was the little boy who would get up on-stage and do magic wearing a fake mustache, which would fall off during the performance. I'm still trying to perform those tricks. Now I do it with writing.

 
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It's not a fantasy performance, Jane. Come on. Everything I do is real. It comes out of my head. I live this life every day. When I'm onstage it's my therapy. It's not a performance. It's a ritual. And the ultimate performance would be when I've reached my peak and I'm not there yet so don't you all clap when I say this I'll commit suicide and I'll take your kids with me.

 
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