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``I Like Simone very much. Potentially, there is a talent to bloom out. She is a beautiful woman, her repertory is very good and she is very well orientated by Flavio Rangel and Nelson Ayres´´.
--
Elis Regina, O Pasquim Journal, 1980

 

Simone Bittencourt de Oliveira

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I knew what he was going to say, because we had all seen the speech. Everybody had made comments about it. And I knew he was going to say, in effect, "Hang me if you dare to, Mr. Judge." But only when he said it... It was terribly moving. Nobody said anything. Even the judge didn't know what to say. I knew it was a moment of history. He emerged then as a great leader. ... Nelson Mandela did become the symbol of the struggle for liberation in South Africa. People could identify with Nelson Mandela: Nelson Mandela the lawyer, Nelson Mandela the hero, Nelson Mandela the handsome man. But it was the response to his Rivonia Trial speech, called throughout the world the 'I am prepared to die' speech, which somersaulted him — and the African National Congress, and the need to put an end to apartheid — into the world's consciousness.

 

Nelson Mandela

 

Simone Weil was one of the most remarkable women of the twentieth, or indeed of any other century. I have great sympathy for her, but sympathy is not necessarily congeniality. It would be easier to write of her if I liked what she had to say, which I strongly do not. …I think Simone Weil had both over- and under-equipped herself for the crisis which overwhelmed her — along, we forget, immersed in her tragedy, with all the rest of us. She was almost the perfectly typical passionate, revolutionary, intellectual woman — a frailer, even more highly strung Rosa Luxemburg. … She made up her own revolution out of her vitals, like a spider or silkworm. She could introject all the ill of the world into her own heart, but she could not project herself in sympathy to others. Her letters read like the more distraught signals of John of the Cross in the dark night.

 

Simone Weil

 

Bloom, O ye Amaranths! bloom for whom ye may,
For me ye bloom not! Glide, rich streams, away!
With lips unbrightened, wreathless brow, I stroll:
And would you learn the spells that drowse my soul?
Work without Hope draws nectar in a sieve,
And Hope without an object cannot live.

 

Samuel Taylor Coleridge

 

The true woman will not be exponent of another, or allow another to be such for her. She will be her own individual self... Stand or fall by her own individual wisdom and strength... She will proclaim the "glad tidings of good news" to all women, that woman equally with man was made for her own individual happiness, to develop... every talent given to her by God, in the great work of life.

 

Susan B. Anthony

 

I am told [Mrs. Coates] bears me in mind and is of a disposition to look with something of favor on my work—which I might say, quoting one of William's playful quips, 'shows her good sense.' They tell me Mrs. Coates is quite a woman among women—is beautiful, shines with great brightness, and, by those who know her well, is admired and cherished...(93) I don't know Mr. Coates but I know the wife—a beautiful, true woman, I have always believed her. We have had several talks together—or maybe only one talk: I am not clear about that now—but I shall always remember what she said—the effect of her talk, which was mainly about Matthew Arnold, who was her guest in Germantown. Arnold is a man for whom I never seem to be able to get up any stir—with whom I never have had and never could have a thorough-going affinity. But Mrs. Coates gave me the other side of him—the social side, the personal side, the intellectual side—the side of deportment, behavior—the side which I ought perhaps most to hear about and did willingly and gladly hear of from her. For every man has that better thing to be said of him—is entitled to all it may mean, signify, explain...(112) Yes, tell the Coates people—Mrs., Mr. Coates—to come over: I will see them...(156) I saw [Mr. and Mrs. Coates]—was glad to see them: both of them are so good, cordial, sincere—she particularly. It does my old eyes good to look at such a woman...(215) The letter [Mrs. Coates had sent to me] that came with [the poem, "The Promised Land"] was very hospitable, forth-giving: I liked it: indeed, the letter was a better poem than the poem: a real poem, in fact...(396)

 

Florence Earle Coates