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Saki

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People talk vaguely about the innocence of a little child, but they take mighty good care not to let it out of their sight for twenty minutes.
--
"The Innocence of Reginald"

 
Saki

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When you read a really good piece of prose you think, "You bastard. How can you write like that?" I know bloody well that the bloke has suffered to get it like that. Same thing when you go to a specialist. "Oh, he was marvellous. But do you know, he charged me 150 quid for twenty minutes." Well, you’re not paying ?150 for twenty minutes, you’re paying for forty years of learning how to do the twenty minutes. I think it’s exactly the same with writing. When you pay for a paperback, you’re paying for years of learning how to do it. When I work, I work incredibly hard.

 
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People between twenty and forty are not sympathetic. The child has the capacity to do but it can’t know. It only knows when it is no longer able to do — after forty. Between twenty and forty the will of the child to do gets stronger, more dangerous, but it has not begun to learn to know yet. Since his capacity to do is forced into channels of evil through environment and pressures, man is strong before he is moral. The world’s anguish is caused by people between twenty and forty.

 
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I do not make films primarily for children. I make them for the child in all of us, whether we be six or sixty. Call the child "innocence". The worst of us is not without innocence, although buried deeply it might be. In my work I try to reach and speak to that innocence, showing it the fun and joy of living; showing it that laughter is healthy; showing it that the human species, although happily ridiculous at times, is still reaching for the stars.

 
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When grown people speak of the innocence of children, they dont really know what they mean. Pressed, they will go a step further and say, Well, ignorance then. The child is neither. There is no crime which a boy of eleven had not envisaged long ago. His only innocence is, he may not be old enough to desire the fruits of it, which is not innocence but appetite; his ignorance is, he does not know how to commit it, which is not ignorance but size. But Boon didn't know this. He must seduce me. And he had so little time: only from the time the train left until dark.

 
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I have denied my eyes, both inner and outer. I am not a child, or virgin, or modest wife, fearing to offend. No one owns my eyes now but me. If I have not the stomach by now to look upon any sight in the world, good or evil, beautiful or vile, when shall I? It is far too late for innocence. My only hope is the much more painful consolation of wisdom. Which can grow out of knowledge alone. Give me my true eyes. I want to see. I have to know.

 
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