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So I told them in rhyme,
For of rhymes I had store.
--
St. 1.

 

Robert Southey

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"The promise of eternal life is a threat unless you get to start over. The mythmakers knew that. They weren't dummies, man. ... They were the ones who invented rhyme and meter—the programming language for human memory in preliterary civilizations. It was a cultural checksum—a mnemonic device. You couldn't f**k with the code or the rhymes didn't work; and if the rhymes didn't work, people noticed. And so the knowledge of a people was passed down intact. It was a shamanic code. If you f**ked with the code, then society lost its collective mind. Smell me?"

 

Daniel Suarez

 

For nature beats in perfect tune,
And rounds with rhyme her every rune,
Whether she work in land or sea,
Or hide underground her alchemy.
Thou canst not wave thy staff in air,
Or dip thy paddle in the lake,
But it carves the bow of beauty there,
And the ripples in rhymes the oar forsake.

 

Ralph Waldo Emerson

 

Still haunted by Haiku, and tried my hand at it, but I fall pitifully short of the Wordsworthian touch. But failure in this realm turned my mind to an old enthusiasm of mine, the Welsh englyn. This verse form was derived by the Welsh from the inscriptions which their Roman conquerors put on tombs ... A good englym must have four lines, of ten, then six, syllables, the last two lines having seven syllables each. In the first line there must be a break after the seventh, eighth, or ninth syllable, and the rhyme with the second line comes at this break; but the tenth syllable of the first line must either rhyme or be in assonance with the middle of the second line. The last two lines must rhyme with the first rhyme in the first line, but the third or fourth line must rhyme on a weak syllable. Got that?

 

Robertson Davies

 

Now you who rhyme, and I who rhyme,
Have not we sworn it, many a time,
That we no more our verse would scrawl,
For Shakespeare he had said it all!

 

William Shakespeare

 

Anyone who has heard [Derrida] lecture in French knows that he is more performance artist than logician. His flamboyant style--using free association, rhymes and near-rhymes, puns, and maddening digressions--is not just a vain pose (though it is surely that). It reflects what he calls a self-conscious "acommunicative strategy" for combating logocentrism.

 

Jacques Derrida