Wednesday, November 27, 2024 Text is available under the CC BY-SA 3.0 licence.

Robert Silverberg

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Stale is stale and borrowed is borrowed, no matter how original your models may have been.
--
Introduction to New Dimensions 1, edited by Robert Silverberg

 
Robert Silverberg

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Have you ever tasted stale popcorn? The only thing worse is stale vision. If a ministry loses the vision, it's only a matter of time before they lose what made them special in the first place. Without vision, the people will quickly lose it.

 
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The historical picture is clear. Counterfeiting was not invented in modern Asia. When they were backward themselves in terms of knowledge, all of today’s rich countries blithely violated other people’s patents, trademarks and copyrights. The Swiss ‘borrowed’ German chemical inventions, while the Germans ‘borrowed’ English trademarks and the Americans ‘borrowed’ British copyrighted materials—all without paying what would today be considered ‘just’ compensation.

 
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The universe would have expanded in a smooth way from a single point. As it expanded, it would have borrowed energy from the gravitational field, to create matter. As any economist could have predicted, the result of all that borrowing, was inflation. The universe expanded and borrowed at an ever-increasing rate. Fortunately, the debt of gravitational energy will not have to be repaid until the end of the universe.

 
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In answer to the question posed by the title, I can't in all honesty say, "This movie." But that's only because there are far too many Freddy Got Fingereds and Say It Isn't Sos out there. The fact that What's the Worst That Could Happen? is better than these movies should in no way be misconstrued as even a backhanded compliment. It's like comparing stale, moldy, rancid bread with soggy, stale, moldy, rancid bread. Both are equally probable to turn one's stomach, and, if ingested, likely to require some time spent kneeling in front of a toilet bowl.

 
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Every true poet, I thought, must be original and originality a condition of poetic genius; so that each poet is like a species in nature (not an individuum genericum or specificum) and can never recur. That nothing shd. be old or borrowed however cannot be.

 
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