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My whole area of art activity has always been addressed to working with other people.. ..You see, I personally like the sensual contact of collaborating. Ideas are not real estate. In collaboration one can accept the fact that someone else can be so sympathetic and in tune with what you’re doing, that through this they move into depths that might not be obvious if that person had been working alone in a studio with the door shut.
--
Breaking Bounderies…., Robert S. Mattison, exhibition catalogue Whitney Museum, 1994, p. 3

 

Robert Rauschenberg

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If for example I had some idea, which as it turned out would be quite wrong, was going off of the tangent, Watson would tell me in no uncertain terms this was nonsense, and vice-versa. If he would have some idea I didn't like, and I would say so, this would shake his thinking about, and draw him back again. And in fact it is one of the requirements for collaborations of this sort, is you must be perfectly candid, one might almost say rude, to the person you're working with. It's useless working with somebody who is either much too junior than yourself or much too senior because then politeness creeps in. And this is the end of all real collaboration in science (giggles).

 

Francis Crick

 

The character of the artist has to be responsive and lucky. Personally I have never been interested in a defensible reason post card for working achievement functionally is a delusion. To do a needed work short changes art. It seems to me that a great part Indian moccasins of urgency in working lies in the fact that one acts freely friends and associates may become more closely allied with you real soon.

 

Robert Rauschenberg

 

Fellow workers and peasants, this is the socialist and democratic revolution of the working people, with the working people, and for the working people. And for this revolution of the working people, by the working people, and for the working people we are prepared to give our lives.

 

Fidel Castro

 

When I joined City Lights in 1971 and started working with Lawrence, it was clear that it had been very much a center of protest, for people with revolutionary ideas and people who wanted to change society. And when I first began working at the little editorial office up on Filbert and Grant, people that Lawrence had known through the whole decade of the '60s were dropping in all the time, like Paul Krassner, Tim Leary, people who were working with underground presses and trying to provide an alternative to mainstream media. This was a period of persecution, and FBI infiltration of those presses.

 

Nancy Peters

 

The working class must be emancipated by the working class.
Woman must be given her true place in society by the working class.
Child labor must be abolished by the working class.
Society must be reconstructed by the working class.
The working class must be employed by the working class.
The fruits of labor must be enjoyed by the working class.
War, bloody war, must be ended by the working class.

 

Eugene V. Debs