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The sense of not having the whole story that comes from living close up to traumatic events.
--
"R.B. Kitaj" (1981)

 

Robert Hughes

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The one central character of the whole explosive saga to survive, somehow, the traumatic after-events.

 

David Frith

 

I have no way of knowing that your story is not true — but you have no way of knowing that my story isn't true. So I will choose the one that I love. I will close the one that, if it's true, makes this reality one worth living in. I'll act as if the life I hope for is real life, and the life that disgusts me — your life, your view of life — is the lie.

 

Orson Scott Card

 

 Novelists when they write novels tend to take an almost godlike attitude toward their subject, pretending to a total comprehension of the story, a man's life, which they can therefore recount as God Himself might, nothing standing between them and the naked truth, the entire story meaningful in every detail. I am as little able to do this as the novelist is, even though my story is more important to me than any novelist's is to him — for this is my story; it is the story of a man, not of an invented, or possible, or idealized, or otherwise absent figure, but of a unique being of flesh and blood. Yet, what a real living human being is made of seems to be less understood today than at any time before, and men — each one of whom represents a unique and valuable experiment on the part of nature — are therefore shot wholesale nowadays. If we were not something more than unique human beings, if each one of us could really be done away with once and for all by a single bullet, story telling would lose all purpose. But every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way and never again. That is why every man's story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of every consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross.
Few people nowadays know what man is. Many sense this ignorance and die the more easily because of it, the same way that I will die more easily once I have completed this story.

 

Hermann Hesse

 

There's one uneasy borderline between what is external and what is internal, and this borderline is defined exactly by the sense organs and the skin and the introduction of external things within my own body. Consciousness is altered by physical events and physical objects, which impinge upon my sense organs, or which I introduce into my body.
Now the name traditionally given to external objects or processes which change you internally is sacrament. Sacraments are the visible and tangible techniques for bringing you close to your own divinity.

 

Timothy Leary

 

Our curse as humans is that we are trapped in time; our curse is that we are forced to interpret life as a series of events — a story — and when we can’t figure out what our particular story is, we feel lost somehow.

 

Douglas Coupland