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If someone asks you where you get your characters... and they're sure to do that... you always say, "He's a combination of a lot of people I have known." That way, if your character is a damn fool, nobody will want to identify with him... To tell the truth, I don't know how a man gets a character for a story, anymore than I know how he falls in love. I don't know if his characters spring full-blown from his head, or if he sees a man walking down the street and recognises him instantly... I doubt any writer knows for sure where his characters come from.
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Comment made to Novalyne Price. One Who Walked Alone by Novalyne Price Ellis, pp. 78-79

 

Robert E. Howard

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I have separate lists titled by characters in which I list each scene concerning that character consecutively and also the proposed scenes for that character along with notes of how I want to write it. So I take these and by them map out ahead the final draft, interlacing the scenes between various characters. Wonderful, isn't it? If I fail as a writer, I can always become a bookkeeper.
I have always been bothered because I couldn't remember details of time, place, etc. and I used to find myself either surrounded by reams of written pages, or else rewriting the same thing three or four times. This helps somewhat to alleviate that.

 

James Jones

 

It's a universal tendency in films to be more about sex and violence than the real world is, but I would pose the opposite question: Why are so many characters that you see on TV so desexualized? A lot of them seem to be completely asexual — especially animated characters — and it implies that those characters are normal. The characters in Aeon Flux are normal people who have normal sex lives and appetites.

 

Peter Chung

 

[Director Christopher] Nolan ... gives us enough multilayered subplots to at least fool us into thinking this is a work of intellectual and moral complexity. But as a piece of visual storytelling, from shot to shot, The Dark Knight is a mess. Characters disappear from one locale and show up inexplicably in another, thanks to the magic of editing. At one point, we learn two characters have been abducted, but Nolan doesn't bother to show us who did it or how. (Later, he explains the "who did it" with dialogue -- the lazy way.) At the end, a major character is left hanging, literally, as we are figuratively. If this is genius, give me hackery.

 

Stephanie Zacharek

 

Character is the entity, the individuality of the person, shining from every window of the soul, either as a beam of purity, or as a clouded ray that betrays the impurity within. The contest between light and darkness, right and wrong, goes on; day by day, hour by hour, moment by moment, our characters are being formed, and this is the all-important question which comes to us in accents ever growing fainter as we journey from the cradle to the grave, "Shall those characters be good or bad?"

 

William Jennings Bryan

 

When writing a novel a writer should create living people; people not characters. A character is a caricature.

 

Ernest Hemingway