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The cries of a dying dog
are to be blotted out
as best I can.
René Char
you are a poet who believes
in the power of beauty
to right all wrongs.
I believe it also.
With invention and courage
we shall surpass
the pitiful dumb beasts,
let all men believe it,
as you have taught me also
to believe it. 
--
William Carlos Williams, in "To a Dog Injured in the Street" (1954)

 

Rene Char

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The cries of a dying dog
are to be blotted out
as best I can.
René Char
you are a poet who believes
in the power of beauty
to right all wrongs.
I believe it also.
With invention and courage
we shall surpass
the pitiful dumb beasts,
let all men believe it,
as you have taught me also
to believe it.

 

William Carlos Williams

 

Char embodies the ideal of the poet fighting for the nobility of the world — the leader of a small resistance group dedicated to honoring the ten thousand things of the universe. Mountains and rivers, flowers and vipers, meteors and rain — everything teems with meaning for this poet. … Illumination was his theme, his method — "For me lightning lasts," Char declared. His work is an essay in revelation.

 

Rene Char

 

From his childhood onward this boy [the future Edward VIII] will be surrounded by sycophants and flatterers by the score—[Cries of ‘Oh, oh!’]—and will be taught to believe himself as of a superior creation. [Cries of ‘Oh, oh!’] A line will be drawn between him and the people whom he is to be called upon some day to reign over. In due course, following the precedent which has already been set, he will be sent on a tour round the world, and probably rumours of a morganatic alliance will follow—[Loud cries of ‘Oh, oh!’ and ‘Order!’]—and the end of it all will be that the country will be called upon to pay the bill. [Cries of Divide!]

 

Keir Hardie

 

The eye, which is called the window of the soul, is the principal means by which the central sense can most completely and abundantly appreciate the infinite works of nature; and the ear is the second, which acquires dignity by hearing of the things the eye has seen. If you, historians, or poets, or mathematicians had not seen things with your eyes you could not report of them in writing. And if you, O poet, tell a story with your pen, the painter with his brush can tell it more easily, with simpler completeness and less tedious to be understood. And if you call painting dumb poetry, the painter may call poetry blind painting. Now which is the worse defect? to be blind or dumb? Though the poet is as free as the painter in the invention of his fictions they are not so satisfactory to men as paintings; for, though poetry is able to describe forms, actions and places in words, the painter deals with the actual similitude of the forms, in order to represent them. Now tell me which is the nearer to the actual man: the name of man or the image of the man. The name of man differs in different countries, but his form is never changed but by death.

 

Leonardo da Vinci

 

Whereas moral courage is the righting of wrongs, creative courage, in contrast, is the discovering of new forms, new symbols, new patterns on which a new society can be built.

 

Rollo May